Author Topic: BALLE DE MATCH VOL 2 IS OUT  (Read 4486 times)

Seben_Maniac #30 on: February 14, 2023, 22:13

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Was it always like this? Even in the 80s, 90s and 2000s? Like what made the donors prefer rhumbas over sebene songs, when that wasn’t the case in those decades. What was it that changed it all?

archos #31 on: February 14, 2023, 23:08

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i believe the  change arrived around 2003 2004 2005 with the rise of karmapa with a first album full of rumbas,the criticism from older artists that the wenge's music is a lot of noise and that koffi is following them, so koffi came with monde arabe dominated by rumba,wenge starting to edge first towards a balance but then its from that moment that donors started to insist that they want rumbas and artists took advantage from that to ask a lot for songs from 2005 to now the price of some songs has multiplied by 3,if they were not self producing and funding a lot of sessions in kinshasa due to the energy issues,some artist could easily make a million per album if the studio lockouts and all that did not cost much and the fact is that when you come with sebene songs some donors want to pay the price of 10 20 years ago,10k while today some songs are around 30 35 40 for normal comfortable people(owner of companies and co) and 50 plus for the politicians and their families and obviously artists consider that 10k for their level of 20 30 40 years of professional career always in the mix among the best is insulting  so they'd rather produce the most average rumba aswell and chew 30k than a sebene song which will be followed with a lot of arguments
my friend genta for example was not far to start releasing rumbas as he noticed that his customers were taking years at times to finish the money of a song while rumba guys some come with the cash(especially those in suspect business) its kibens who convinced him to stick to sebene songs because he was an atalaku and it made no sense for an atalaku to release a rumba unless he sings it which he was obviously not going to do
both the greed of musicians and the more difficult customers are responsible,there is a mentality that being given a sebene song does not give you the right prestige compared to even the most  average rumba which is seen as a consecration for some to enter the world of song customers
in some groups donors even literally pick the song themselves and who will sing

Longbluesquid #32 on: February 15, 2023, 00:58

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i believe the  change arrived around 2003 2004 2005 with the rise of karmapa with a first album full of rumbas,the criticism from older artists that the wenge's music is a lot of noise and that koffi is following them, so koffi came with monde arabe dominated by rumba,wenge starting to edge first towards a balance but then its from that moment that donors started to insist that they want rumbas and artists took advantage from that to ask a lot for songs from 2005 to now the price of some songs has multiplied by 3,if they were not self producing and funding a lot of sessions in kinshasa due to the energy issues,some artist could easily make a million per album if the studio lockouts and all that did not cost much and the fact is that when you come with sebene songs some donors want to pay the price of 10 20 years ago,10k while today some songs are around 30 35 40 for normal comfortable people(owner of companies and co) and 50 plus for the politicians and their families and obviously artists consider that 10k for their level of 20 30 40 years of professional career always in the mix among the best is insulting  so they'd rather produce the most average rumba aswell and chew 30k than a sebene song which will be followed with a lot of arguments
my friend genta for example was not far to start releasing rumbas as he noticed that his customers were taking years at times to finish the money of a song while rumba guys some come with the cash(especially those in suspect business) its kibens who convinced him to stick to sebene songs because he was an atalaku and it made no sense for an atalaku to release a rumba unless he sings it which he was obviously not going to do
both the greed of musicians and the more difficult customers are responsible,there is a mentality that being given a sebene song does not give you the right prestige compared to even the most  average rumba which is seen as a consecration for some to enter the world of song customers
in some groups donors even literally pick the song themselves and who will sing


Wow! Thanks for the information. I can’t believe this is how it works. What does someone in a suspicious business want to be sung about?

Wenge1995 #33 on: February 15, 2023, 00:59

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i believe the  change arrived around 2003 2004 2005 with the rise of karmapa with a first album full of rumbas,the criticism from older artists that the wenge's music is a lot of noise and that koffi is following them, so koffi came with monde arabe dominated by rumba,wenge starting to edge first towards a balance but then its from that moment that donors started to insist that they want rumbas and artists took advantage from that to ask a lot for songs from 2005 to now the price of some songs has multiplied by 3,if they were not self producing and funding a lot of sessions in kinshasa due to the energy issues,some artist could easily make a million per album if the studio lockouts and all that did not cost much and the fact is that when you come with sebene songs some donors want to pay the price of 10 20 years ago,10k while today some songs are around 30 35 40 for normal comfortable people(owner of companies and co) and 50 plus for the politicians and their families and obviously artists consider that 10k for their level of 20 30 40 years of professional career always in the mix among the best is insulting  so they'd rather produce the most average rumba aswell and chew 30k than a sebene song which will be followed with a lot of arguments
my friend genta for example was not far to start releasing rumbas as he noticed that his customers were taking years at times to finish the money of a song while rumba guys some come with the cash(especially those in suspect business) its kibens who convinced him to stick to sebene songs because he was an atalaku and it made no sense for an atalaku to release a rumba unless he sings it which he was obviously not going to do
both the greed of musicians and the more difficult customers are responsible,there is a mentality that being given a sebene song does not give you the right prestige compared to even the most  average rumba which is seen as a consecration for some to enter the world of song customers
in some groups donors even literally pick the song themselves and who will sing

Is Karmapa respected musician? I don't know much about him

Longbluesquid #34 on: February 15, 2023, 01:13

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i believe the  change arrived around 2003 2004 2005 with the rise of karmapa with a first album full of rumbas,the criticism from older artists that the wenge's music is a lot of noise and that koffi is following them, so koffi came with monde arabe dominated by rumba,wenge starting to edge first towards a balance but then its from that moment that donors started to insist that they want rumbas and artists took advantage from that to ask a lot for songs from 2005 to now the price of some songs has multiplied by 3,if they were not self producing and funding a lot of sessions in kinshasa due to the energy issues,some artist could easily make a million per album if the studio lockouts and all that did not cost much and the fact is that when you come with sebene songs some donors want to pay the price of 10 20 years ago,10k while today some songs are around 30 35 40 for normal comfortable people(owner of companies and co) and 50 plus for the politicians and their families and obviously artists consider that 10k for their level of 20 30 40 years of professional career always in the mix among the best is insulting  so they'd rather produce the most average rumba aswell and chew 30k than a sebene song which will be followed with a lot of arguments
my friend genta for example was not far to start releasing rumbas as he noticed that his customers were taking years at times to finish the money of a song while rumba guys some come with the cash(especially those in suspect business) its kibens who convinced him to stick to sebene songs because he was an atalaku and it made no sense for an atalaku to release a rumba unless he sings it which he was obviously not going to do
both the greed of musicians and the more difficult customers are responsible,there is a mentality that being given a sebene song does not give you the right prestige compared to even the most  average rumba which is seen as a consecration for some to enter the world of song customers
in some groups donors even literally pick the song themselves and who will sing

Is Karmapa respected musician? I don't know much about him

I like Karmapa. He is very good at rumbas.

Longbluesquid #35 on: February 15, 2023, 01:14

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I wander if musicians can do versions of albums like “donor” and for fans. It would be more studio time but we will get more dancing.

Also for Karmapa listen to Je Appelle Toi it’s on streaming services. Then Riposte and Caligula.

Seben_Maniac #36 on: February 15, 2023, 04:47

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i believe the  change arrived around 2003 2004 2005 with the rise of karmapa with a first album full of rumbas,the criticism from older artists that the wenge's music is a lot of noise and that koffi is following them, so koffi came with monde arabe dominated by rumba,wenge starting to edge first towards a balance but then its from that moment that donors started to insist that they want rumbas and artists took advantage from that to ask a lot for songs from 2005 to now the price of some songs has multiplied by 3,if they were not self producing and funding a lot of sessions in kinshasa due to the energy issues,some artist could easily make a million per album if the studio lockouts and all that did not cost much and the fact is that when you come with sebene songs some donors want to pay the price of 10 20 years ago,10k while today some songs are around 30 35 40 for normal comfortable people(owner of companies and co) and 50 plus for the politicians and their families and obviously artists consider that 10k for their level of 20 30 40 years of professional career always in the mix among the best is insulting  so they'd rather produce the most average rumba aswell and chew 30k than a sebene song which will be followed with a lot of arguments
my friend genta for example was not far to start releasing rumbas as he noticed that his customers were taking years at times to finish the money of a song while rumba guys some come with the cash(especially those in suspect business) its kibens who convinced him to stick to sebene songs because he was an atalaku and it made no sense for an atalaku to release a rumba unless he sings it which he was obviously not going to do
both the greed of musicians and the more difficult customers are responsible,there is a mentality that being given a sebene song does not give you the right prestige compared to even the most  average rumba which is seen as a consecration for some to enter the world of song customers
in some groups donors even literally pick the song themselves and who will sing

wow thanks for the break down with that. I don't think this will change anytime soon. If only this system was in favor of seben songs instead of rhumba songs, I would have no complaints. But now that I know the truth I can give up expecting anything from these artists nowadays.

jordanlumbala101 #37 on: February 15, 2023, 14:56

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There's two génériques and they are La Puissance and Par Respect

oj78 #38 on: February 15, 2023, 16:08

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Je connais fina......Genta
Ata nzoko azalaka na besoin ya vitamine.

oj78 #39 on: February 15, 2023, 16:25

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As usual I will just comment generiques bdcause I don't like listening to any rhumbas of whatever artists with that said it was nice to Genta to let Fusee animate the last part of his song it reminds me of how Caludji used to do with the same Genta at the beginning isnthat at 09:09 Genta? Cause he sounds like a different person.
La Puissance


Aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaah SUVeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeee
Binadamaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa
De La Patriaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa
Salvaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaasaaaaaaa

Mama e, man I have missed this type of guitar of generiques, that's why you need heirs who thought Tolbert Solo? All my greetings.
Mmmmmmmm Ya Pajoooooo
Charisme, Nzambe Na Ngai Charisme ngl Pajo really.woke up and came up with wonderful cries, whoever coaches him coached well,

Par Respect

Aaaaaaaaaaaaaaaaah Ya Gentaaaa, man if he only kept his natural voice, the one in Pelisa Ngwasuma this crie  Par Respect would have been crazy

Aaaaaaaaaaaaaaaaaaah who made the effect at 1:54???????? No Manzambi94 aleli, broooooo the guitarist who played the generique deserve some sort of prize


I was expecting another crie of Pajo the one who Jeffrey showed me when Balle De Match came out
But anyway yes too much Rhumbas, plus except.for Fally and Ferre is not like any Congolese artist get views or notorietà through rhumbas. Nigerian music has not became worldwide cause of boring love songs, it is always songs you dance on the Dancefloor while in Congo we still stuck with that Rhumba Formula gooood
I kind of feel some Zaiko thing in this song and some extended partitions from Academia (Otan)
Ata nzoko azalaka na besoin ya vitamine.

archos #40 on: February 15, 2023, 16:59

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i believe the  change arrived around 2003 2004 2005 with the rise of karmapa with a first album full of rumbas,the criticism from older artists that the wenge's music is a lot of noise and that koffi is following them, so koffi came with monde arabe dominated by rumba,wenge starting to edge first towards a balance but then its from that moment that donors started to insist that they want rumbas and artists took advantage from that to ask a lot for songs from 2005 to now the price of some songs has multiplied by 3,if they were not self producing and funding a lot of sessions in kinshasa due to the energy issues,some artist could easily make a million per album if the studio lockouts and all that did not cost much and the fact is that when you come with sebene songs some donors want to pay the price of 10 20 years ago,10k while today some songs are around 30 35 40 for normal comfortable people(owner of companies and co) and 50 plus for the politicians and their families and obviously artists consider that 10k for their level of 20 30 40 years of professional career always in the mix among the best is insulting  so they'd rather produce the most average rumba aswell and chew 30k than a sebene song which will be followed with a lot of arguments
my friend genta for example was not far to start releasing rumbas as he noticed that his customers were taking years at times to finish the money of a song while rumba guys some come with the cash(especially those in suspect business) its kibens who convinced him to stick to sebene songs because he was an atalaku and it made no sense for an atalaku to release a rumba unless he sings it which he was obviously not going to do
both the greed of musicians and the more difficult customers are responsible,there is a mentality that being given a sebene song does not give you the right prestige compared to even the most  average rumba which is seen as a consecration for some to enter the world of song customers
in some groups donors even literally pick the song themselves and who will sing

wow thanks for the break down with that. I don't think this will change anytime soon. If only this system was in favor of seben songs instead of rhumba songs, I would have no complaints. But now that I know the truth I can give up expecting anything from these artists nowadays.

the world of donors and song customers has become almost as competitive as musicians themselves,to become an ultimate donor,the guys consider that you have to complete the "grand slam" have a song from koffi jb werra fally ferre heritier fabregas
wazekwa also sometimes but he is more demanding in terms of the origin of the money so some donors dont contact him anymore as he tries as much as possible not to sing from people involved in dodgy business to get all that money
so the competition is also about who will have one of the top 3 succesful rumba songs of the albums,which is why automatically the guys ask or are proposed a rumba
and since artists fear losing such a juicy money,all of them making wayyyyyyy more through that than they'd ever make in copyright under the conditions of the country in the past 20 years,they just obey instead of trying to say we are the artists let us give you the music we want

SYMPLICITY #41 on: February 15, 2023, 18:32

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I love rhumba 100 times over sebene so thank you JB Mpiana for your genius thinking. As consolation, why can’t sebene lovers in here become donors and insist that their songs be sebenes and generiques? Short of that the whining will never stop and the artists ain’t gonna give a hoot.

Longbluesquid #42 on: February 15, 2023, 18:35

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I love rhumba 100 times over sebene so thank you JB Mpiana for your genius thinking. As consolation, why can’t sebene lovers in here become donors and insist that their songs be sebenes and generiques? Short of that the whining will never stop and the artists ain’t gonna give a hoot.

Well Congolese I think was known for sebene, I think that’s what gained popularity. Especially for people that don’t know the language.

SYMPLICITY #43 on: February 15, 2023, 19:49

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I love rhumba 100 times over sebene so thank you JB Mpiana for your genius thinking. As consolation, why can’t sebene lovers in here become donors and insist that their songs be sebenes and generiques? Short of that the whining will never stop and the artists ain’t gonna give a hoot.

Well Congolese I think was known for sebene, I think that’s what gained popularity. Especially for people that don’t know the language.

I am one of those who don't know the language but I just want to listen to rhumba. Sebene are all the same. I don't expect anything new. A sebene/generique will sound almost the same like all the others. So if I need it I can pick any from say 2000 and be good to go. No need for a new one. Maybe the cris but since i don't understand that doesn't figure in my equation. 

SYMPLICITY #44 on: February 15, 2023, 19:52

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There is a Michigan in Mon plaisir and Haute les mains. Is he the Werrason Michigan and if so someone kindly explain. Did he get vocals in Balle de Match then leave to join Werra but his vocals still made the album or did he leave Werrason just recently to join JB and was able to get vocals in BDM? Or is this a different Michigan?