Was it Arc en Ciel who used to animate in Victoria Eleison that he's talking about ? Btw was it Arc en Ciel or Mulo Scanto who started his career in Depitcho's band ? It seems that a big part of the new recruited musicians of Victoria just before Zenith came from Depitcho's band (Fila Basele and Yannick Zenith who was recruited as back-up drummer for Signore Depatra but didn't make it for Zenith).I dont remember if it was in Ado Yuhe's interview or somebody else, where Equalizer said that he came with the most cri's in Kipala Nzonzaku. Citing the cri's toko mela primus pona makasi ya mokongo (which was first toko mela tangawisi ya mere mado pona makasi ya mokongo), pantalon ngumba, muana bato and delapatria. Roi David also claims to be part of the many atalaku's that were in Gentamicine circle and said that he created the part "tala ba nzele batonga nzoto pona primus eeh" in Primus Ngwasuma which originally "tala ba nzele basi bazo sambuisa nzoto pona portable eeh". If you look well, most generiques are not created by the atalaku's themselves and them working with a whole team. This make those who are pro-bandmembers saying when there discussions about copyrights and why generiques are credited to the atalaku's but to bandleaders, them giving this as arguments why bandmembers credit the generiques to themselves because the atalaku's not being the original creators of it.Back in the days wasn't liking Equalizer. I used to hate his voice and saw him as a faux atalaku. It's only when he did the generique with Fabregas and later joining Quartier Latin with the cri "Azo lia na nani" that I started to like him. I wasn't liking Fally's band at all (singers, guitarists, atalaku's, the looks of most musicians, etc.), seeing most of his concerts as boring and prefering Ferre's band. I was doubting Fally's skills of recruiting musicians, only to hear him admit in an interview he did with Saint Marc during the Olympia-days that most of the musicians were his childhood friends when Saint Marc asked Fally if his musicians are really competent when comparing to bands like Maison Mere, Quartier Latin and co. Its always strange and crazy to hear that many atalaku/singers started all together and know each other. But when joining other groups, them attacking each other and not greeting, also acting like they dont know each otherWhen seeing the DVD of A2BM I was wondering why Fally did the clip of the generique on his own with some girls. I wasn't liking the way the girls were dancing in the clip. The period after Abacadabra was the right moment for Koffi to release a new group-album and give his singers, guitarists and atalaku's light. You had Ronsard Kanza who came also from Fally's band, Omba and Poupa Mystique who started to make alot of tv-appearances. I remember Koffi announcing an EP with only generiques and two or 1 rumba (it was made to fight Power and Boite Noire) for december 2012 and a group album called Suprematie for 2014. But instead of that he changed his mind and replaced the voices of his atalaku's by that of Cindy in the generiques to make from the project Cindy's solo album. To not lose Cindy like Fally with Droit Chemin, he didn't gave her the freedom to record new songs, but just let her record remix versions of some of his old songs. The album ended up by flopping and only the generique Libebe with was orginally that of Equalizer doing a little bit well. Equalizer her changed the version of the reason why he left. In in the years just after his departure, he claimed that he left because of Koffi started to do 12 on him after having praised both Fally and Koffi in an interview he made Noella Madinga, when being asked about who having succes among Congolese artists in Ivory Coast at that moment and him replying that it were Koffi and Fally.
thinking about it the almost 100 visas fally wanted(to do like his elders) was probably one of the reasons they complicated things for him and had him to get 10 and to put his papers on the line should one of them not return
I think he was fought "ndenge ezalaka" either by koffi or whoever because as you know since forever its never easy to just come and succeed like that in front of elders some might "test " you and once you handle it you are ready for a long solo career but the vieux around him surely advised him to go with such a big list so that they can all have ngulus in itif he asked 20 for example or 15 he would not be under such pressure that they had to track every move of equa,ronsard,zagalo,konga,choumen,mijo synthe,kasangidi,tony,pitchou luzolo and if just one left the french authorities threatened to strip him off his papers on an another field he was extremely smart in bringing his group a lot of times even just "pona ko creer kaka mua actualite" it has paid off with french authorities now having a lot of respect and confidence towards him and making him get 30 35 visas which is a lot by the post-ngulu standards
Wasn’t it something about papers and people in Fally’s circle not being happy about it and him also openly criticizing Alain Nzambe on tv. Anyway, he has an interview with Ado Yuhe which on YouTube and him talking about his departure. Back in those days I didn’t knew any bandmember of F-Victeam. Only Kassangidi, just because of his cri. Back then I though that he & Kabuya were the same person. It’s only years later that I discovered Alvarito when someone explained to me that was in Wenge Kumbela. I knew Equalizar ‘s name because of Bjone always posting about him on his Facebook and skyrock page. But I didn’t know who he was