Author Topic: MBUTA LIKASU AND SAM TSHINTU PART 2  (Read 2287 times)

Wenge1995 #15 on: January 07, 2023, 19:21

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The project that Mbuta was talking about is good. Its it will not the same anymore since Lebou Kabuya (RIP) isn't there anymore. The line-up of Sanction had something magic and if they add someone or get someone out its not magic anymore. Champion is one of my favorite drummers, but I prefer even an unknown drummer above him for this project. I don't that Sam is informed that Champion stopped with drumming

Thank you, ndeko! How much did the dances get paid in Quartier Latin? I'm guessing they don't get a salary since they lived with Koffi and probably recieve gifts from fans during tours.

Beniko should have known it was a had idea to record a solo album, didn't he see what happened to Suzuki? How come Fally wasn't suspended or sabotaged when he recorded Droit Chemin? Did he record it secretly? He signed to David Monsoh, I'm sure Koffi could have sued for interference

CM PRINCE #16 on: January 07, 2023, 19:24

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So Sam Tshintu definitely did the vocals on the Magie-album, but with a different voice. Now I see why he often credit Babia for making progess in his singing-skills.
CASE CLOSED. Now we can finally end the discussion whether Sam sang in magie or not. I always said he still had his magie voice if you listen to some songs he sang in QL and Academia

Papa Na Roissy 6:02 his voice changes to the magie voice

Zabalambu it’s a mix of Magie voice and his current voice 3:57


Hello Prince, do you mean he sang in Magie by having vocals or just in chorus? And if he had vocals, which songs from what minute to what minute because I would be very interested to listen to Sam's 'Magie' voice
Hey buddy, yeah he actually sang in Magie he had three vocals, In the song Magie, Mansouri S, Sylvekou, and Meslian 
The first minute of this it has his vocals from Magie.

CM PRINCE #17 on: January 07, 2023, 19:26

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The project that Mbuta was talking about is good. Its it will not the same anymore since Lebou Kabuya (RIP) isn't there anymore. The line-up of Sanction had something magic and if they add someone or get someone out its not magic anymore. Champion is one of my favorite drummers, but I prefer even an unknown drummer above him for this project. I don't that Sam is informed that Champion stopped with drumming

Thank you, ndeko! How much did the dances get paid in Quartier Latin? I'm guessing they don't get a salary since they lived with Koffi and probably recieve gifts from fans during tours.

Beniko should have known it was a had idea to record a solo album, didn't he see what happened to Suzuki? How come Fally wasn't suspended or sabotaged when he recorded Droit Chemin? Did he record it secretly? He signed to David Monsoh, I'm sure Koffi could have sued for interference
Bro Mfumu already explained this to you here
http://congovibes.com/congolese-music/wow-so-koffi-was-apparently-willing-to-pay-to-sing-in-droit-chemin/msg99406/#msg99406

Mopao195 #18 on: January 07, 2023, 23:45

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reading all these stories got me thinking that we need a QL tv series or a documentary this is apart of classic music history and deserves to be put in that form of media i keep hearing how big congolese music was in the 90s and the fact that we havent gotten a documentary series of that era is wild to me what do yall think maybe theres a reason that i dont know of

Mfumu Vata #19 on: January 08, 2023, 01:33

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The project that Mbuta was talking about is good. Its it will not the same anymore since Lebou Kabuya (RIP) isn't there anymore. The line-up of Sanction had something magic and if they add someone or get someone out its not magic anymore. Champion is one of my favorite drummers, but I prefer even an unknown drummer above him for this project. I don't that Sam is informed that Champion stopped with drumming

Thank you, ndeko! How much did the dances get paid in Quartier Latin? I'm guessing they don't get a salary since they lived with Koffi and probably recieve gifts from fans during tours.

Beniko should have known it was a had idea to record a solo album, didn't he see what happened to Suzuki? How come Fally wasn't suspended or sabotaged when he recorded Droit Chemin? Did he record it secretly? He signed to David Monsoh, I'm sure Koffi could have sued for interference

They are paid for some 100 dollars, others 50 dollars, if you are a chief 300 dollars. It depend on the role and name you have in Quartier Latin. The only problem was that they were at some point forbidden to have phones according Laura Mombili, Patience and Chouchou Mbayo. If they wanted to visit their family-members or parents they always had to bring bodyguards with them to control every movement they were doing which was frustrating them alot. If they were caught coming close with a musician they would get problems. Remember how Bibica got left behind just because of Cambodge driving with his car in her street which made Koffi think that they had an affair. Cambridge also being left behind for that Monde Arabe trip. This all made me think about Jitrois interview with Ado Yuhe hahaha, him saying that Koffi and his people used to watch every video of their public rehearsals/concerts to see if dancers were talking with singers and those who talked to the dancers getting problems. Them rewind the image everything when they saw a mouth of a dancer moving and looking well if they were with a singer

Mfumu Vata #20 on: January 08, 2023, 01:42

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Beniko himself forgot about when talking in his recent interview. Because in interviews who were made just after his departure from Quartier Latin, hebexplained that Koffi gave him the freedom to record solo-albums on every tour in Europe, but with the condition to not invite musicians of Zaïko. They did that as an agreement when he returned back to Quartier Latin in 1998. Sadly, it didn’t en up well. Koffi often saying behind the cameras’s that he would only allow his musicians to do albums the moment he’s finished, reffering to Papa Wemba who was allowing his musicians to record albums which was seen as weakness by other bandleaders and in the beginning Wemba being criticized for it until his released Foridoles.

 Zacharie Bababaswe used to taunt Koffi with that “If would allow musicians in my band to record albums, it means that I m finished. So Koffi you are finished” when they started beefing in the era that Cindy recorded her album in 2013.


Mwanayaafrica #21 on: January 08, 2023, 02:18

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Why is it seen as a weakness to let musicians in their band to record solo albums. Also, why does Koffi forbid relationships in his group?

SYMPLICITY #22 on: January 08, 2023, 04:49

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So Sam Tshintu definitely did the vocals on the Magie-album, but with a different voice. Now I see why he often credit Babia for making progess in his singing-skills.
CASE CLOSED. Now we can finally end the discussion whether Sam sang in magie or not. I always said he still had his magie voice if you listen to some songs he sang in QL and Academia

Papa Na Roissy 6:02 his voice changes to the magie voice

Zabalambu it’s a mix of Magie voice and his current voice 3:57


Hello Prince, do you mean he sang in Magie by having vocals or just in chorus? And if he had vocals, which songs from what minute to what minute because I would be very interested to listen to Sam's 'Magie' voice
Hey buddy, yeah he actually sang in Magie he had three vocals, In the song Magie, Mansouri S, Sylvekou, and Meslian 
The first minute of this it has his vocals from Magie.



 I always those parts were Wily Bula????. His 'Magie' voice was marvelous.  He should have kept switching back to it in his later vocals

Manzambi94 #23 on: January 08, 2023, 06:57

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reading all these stories got me thinking that we need a QL tv series or a documentary this is apart of classic music history and deserves to be put in that form of media i keep hearing how big congolese music was in the 90s and the fact that we havent gotten a documentary series of that era is wild to me what do yall think maybe theres a reason that i dont know of

I totally agree with you, one of the reasons why Congolese music failed to captivate this new generation of African listeners is the terrible lack of organization and the lack of branding that Congolese musicians typically have, for example in USA you hear non stop Documentaries about Jordan, Micheal Jackson, Prince, Elvis, Tupac, Biggie, Jay Z, Beyonce, TLC, Young Money,  Kanye etc. And the Americans make this because they know that they are relatively a new country with very little history before the 1770 so to compensate for that they make a lot of Documentaries and Docu Novels about their big modern icons while in Congo you can have the next Micheal Jackson but no one will make a documentary about him the few Documentaries that you have about Congoelseusic are made by English or Belgians, I mean imagine Congolese music inspired guys like Stromae, Burna Boy, Arafat, P Square, Shakira, and many other big names, Shakira played Congolese music at the Superbowl, where is the documentary about a H star playing our own music? Papa Wemba went and played with Peter Gabriel where is the documentary about that? Franco used to be at the top of Belgian charts back in the say, just like Stromae in his heyday was at the top of Belgian charts, where is his documentary? Fally despite me not liking him I can't deny his huge impact on branding in the Congolese music, where is the documentary of him? Where are the books or these things? The fact that Ado Yuhe interviews are successful is because there are very very very few insights and information about artists that's why Ado Yuhe is getting massive success with his concept, it is a step forward, plus most Congolese leaders lack the vision, for example talking about JB Kylian Mbappe made a video saying "Papa Cherie Tshekk" which is massive it is like Micheal Jordan in his heyday shouting out Werra you have the best footballer in the world (Don't hate me Messi and Ronaldo fans) shouting you out, and how do Papa Cherie capitalize that? By just giving him a small shout out in a generique... I mean make him come to the video, and dance the generique and ask him to promote it or something like that, Congolese artists unfortunately are clueless like that even Serge Ibaka who is not a real singer understood this in his video Kin Brazza by asking to his teammates to dance to his song



From 2:23


That's exactly why we lost to Nigerians, you see Burna Boy going to the states going to Jimmy Kimmel branding himself and in reflection all Nigerian music benefits, while Fally the time he understood he was weak in English he just left the American market instead of being humble and learn the language.

Manzambi94 #24 on: January 08, 2023, 07:01

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reading all these stories got me thinking that we need a QL tv series or a documentary this is apart of classic music history and deserves to be put in that form of media i keep hearing how big congolese music was in the 90s and the fact that we havent gotten a documentary series of that era is wild to me what do yall think maybe theres a reason that i dont know of

I totally agree with you, one of the reasons why Congolese music failed to captivate this new generation of African listeners is the terrible lack of organization and the lack of branding that Congolese musicians typically have, for example in USA you hear non stop Documentaries about Jordan, Micheal Jackson, Prince, Elvis, Tupac, Biggie, Jay Z, Beyonce, TLC, Young Money,  Kanye etc. And the Americans make this because they know that they are relatively a new country with very little history before the 1770 so to compensate for that they make a lot of Documentaries and Docu Novels about their big modern icons while in Congo you can have the next Micheal Jackson but no one will make a documentary about him the few Documentaries that you have about Congoelseusic are made by English or Belgians, I mean imagine Congolese music inspired guys like Stromae, Burna Boy, Arafat, P Square, Shakira, and many other big names, Shakira played Congolese music at the Superbowl, where is the documentary about a big star playing our own music? Papa Wemba went and played with Peter Gabriel where is the documentary about that? Franco used to be at the top of Belgian charts back in the day, just like Stromae in his heyday was at the top of Belgian charts, where is his documentary? Fally despite me not liking him I can't deny his huge impact on branding in the Congolese music, where is the documentary of him? Where are the books of these things? The fact that Ado Yuhe interviews are successful is because there are very very very few insights and information about Congolese artists that's why Ado Yuhe is getting massive success with his concept, it is a step forward, plus most Congolese leaders lack the vision, for example talking about JB Kylian Mbappe made a video saying "Papa Cherie Tshekk" which is massive it is like Micheal Jordan in his heyday shouting out Werra, you have the best footballer in the world (Don't hate me Messi and Ronaldo fans) shouting you out, and how do Papa Cherie capitalize that? By just giving him a small shout out in a generique... I mean make him come to the video, and dance the generique and ask him to promote it or something like that, Congolese artists unfortunately are clueless like that even Serge Ibaka who is not a real singer understood this in his video Kin Brazza by asking to his teammates to dance to his song



From 2:23


That's exactly why we lost to Nigerians, you see Burna Boy going to the states going to Jimmy Kimmel branding himself and in reflection all Nigerian music benefits, while Fally the time he understood he was weak in English he just left the American market instead of being humble and learn the language. And instead of Congolese musicians being united you see then having stupid and silly beef instead of focusing on being the best Celeo finally understood to leave Beef behind things that Heritier and Fabregas should also realize but no they still bickering like someone outside of Congo cares about their music
« Last Edit: January 08, 2023, 08:42 by Manzambi94 »

archos #25 on: January 08, 2023, 08:17

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Why is it seen as a weakness to let musicians in their band to record solo albums. Also, why does Koffi forbid relationships in his group?

because letting musicians release is preparing successor,and if there is anything congolese musicians dont like is thinking that there is life after them,in most of the cases,it either starts off under pressure,or by surprise or the leader does not see you succeeding at all so he does not mind much,but in general the amount of time it happened is like 1 per cent of the amour of times musicians in general have that desire that at least once before their death they can have an album to their name
as for dancers,its in most groups,for two reasons,first being that most leaders consider dancers like their sex slaves so they have to be free  and the easiest way is to forbid it knowing that dancers like musicians a lot because they can understand each other easier in terms of lifestyle,in terms of the undercover tactics to get money and things like that
then the other reason is that they claim that allowing it brings mess in the group because sometimes they bring their conflicts into the groups,and imagine when leaders themselves are also dealing with issues with the same dancers, for example,without trying to embarass him but kabose has been slapped by one of his dancers out of jealousy as he was dating another of the group,just to give you an idea of the public spats in both ways,either between musicians and dancers,or the whole group witnesses leaders argueing with a dancer and the dancer sometimes dominating the convo like she cant be fired anytime