Here camionette mbola says that sonima should have been the producer of droit chemin but koffi called and got it cancelledand that musicians of quartier latin were not allowed to participate they had to hide and do it and that that album was fought physically and spirituallyand in the long run koffi wanted to sing but he advised fally to refuse because for him koffi was coming to sing to spiritually ruin that album so they claimed the work was over despite koffi insisting for a while willing to pay extra sessions to sing
exactly bro the ego wars were pending too muchlol bro you just made me remember this episodehttps://www.instagram.com/p/CIdKpOJijYz/12 with the most powerful speakers of the world
Fally Ipupa made the right move to leave in 2006 because if he had stayed longer it would be similar to what has happened between Werrason and Ferre before now. Fally saved himself from a complete war with Koffi by leaving in 2006 rather than in 2008 when Cindy le Coeur came into the band.
Quote from: Franco Pepe Kalle on May 12, 2021, 20:24Fally Ipupa made the right move to leave in 2006 because if he had stayed longer it would be similar to what has happened between Werrason and Ferre before now. Fally saved himself from a complete war with Koffi by leaving in 2006 rather than in 2008 when Cindy le Coeur came into the band.If Fally stayed I don't think Cindy would've joined the band.
I don't believe that, I think rather that he would become like Willy Bula in his last days in Quartier Latin if he stayed in Quartier Latin. If the tension detween Fally and Koffi after Droit Chemin didn't became high like Werrason vs Ferre in the Vieux Jaloux-days, it's because Fally never reacted to Koffi's provocation. Koffi really tried to kill his career. He tried to rent Olympia on the same day like Fally after Fally announcing that he would perform there (you see it in the bonus of the Danger de Mort-clips and Swi-clips, Koffi announcing that he would perform on 7 Avril 2007 at Olympia), but it didn't work. He tried trough his friends in Ivory Coast to mess his first show in Abidjan up and many others things behind the scenes. He also dissed him in the songs Salopette and Diabolos. In Diabolos he went even far by threaten him with the death and mocking that Fally sarificed his parents for fame. I remember that Fally being really mad against Koffi and also wanting to cry on the same time when he was asked about the song Diabolos by journalist Marius Muhunga in 2008, but him pretending that he didn't know and don't believe that it was made against him. If Fally reacted strongly against the two songs that Koffi made against him he would end up by Suzuki and Academia. He was smart by not reacting because he hadn't a strong fanbase yet and 75% of his fans at that time were Koffi-fans. If he reacted he would end up slowly like Academia. from 4:15 min to 4:37 min (other artists would lose control and react immediatly)
Quote from: CM PRINCE on May 12, 2021, 20:31Quote from: Franco Pepe Kalle on May 12, 2021, 20:24Fally Ipupa made the right move to leave in 2006 because if he had stayed longer it would be similar to what has happened between Werrason and Ferre before now. Fally saved himself from a complete war with Koffi by leaving in 2006 rather than in 2008 when Cindy le Coeur came into the band.If Fally stayed I don't think Cindy would've joined the band.We never know. Don't forget that Cindy joined along with Meje30 because of the Lily Kaniki-song. Koffi needed female voices for that song. Both girls were doing gospel music at that time, but already collaborated with the so-called "musiciens ya mokili" in studios (for example the Nguasuma-generic medley of Primus or Bill Clinton Kalonji). Koffi was then astonished about Cindy's talent, which made him ask her if she wanted to join Quartier Latin. She then joined Quartier Latin with Meje30, but she hadn't not immediatly her place despite her talent. Koffi prefered Les Mineurs and later the team of Joss Diena, Gessac and Hono Kapanga above him. It's only after Zenith 2007, when Nguanzu and co stayed in Europe that she started to get her place. It also coinidenced with Joss Diena becoming chef d'orchestre, but Koffi demounting him on the same time and her totally becoming dominant when Koffi released BEK in the summer of 2008 and Quartier Latin slowly becoming a groupe d'accompagnement.