bro it does not talk about katanga,they are playing with words they are talking about "kata nga" i think you not what it means they released that generique because the other one got blocked by another artist who did the same animation(the guy lives in switzerland or something like that)
i believe the toughest part of the process would what i once heard on french tv that he was suspected to have done bad things to a minor jewish woman which is why congolese authorities had to protect him firmly or he'd be forced to come if we go back months ago,he looked very confident of ending it,at least for the congolese dancers,if what french tv said is true anyways,our musicians in general tend to be in trouble for the things they might not have done,while they actually do sometimes worse than what they are accused for but it goes unnoticed especially the dancers if we were in a serious country most of our stars would be in deep trouble
then wait for fabro's cible unless he changed plan,he got too used to the juicy money from selling songs to donors that i hear that he plans a triple album this time with 60 songs, which could help him buy a cite du fleuve house to compete with fally like he thinks
I was talking today with pitshou(genta) and he was telling me he was in jb's studio to do some pre record of generiques for chemin de fer(which they have been recording in the same time as balle de match) and he said he was working on the intros of generique with levieux mavuzi(massive animation provider in all groups,younger brother of mosaka) because he is not good enough at it so he swallows his pride to ask for help,and i saw a levieux mavuzi interview recently saying that given the debut of tough situations for jb they had to make a strong impact in that generique and jb called him upon for the "head" of generique and he gave" that ngwasuma ya ma tindika ve" in order counter tindika lokito directly maybe if i find interview again i will post that guy really created a lot of stuff, i also saw him visit heritier few days ago to give animations for future generiques
Yes there is a clear difference,i always say at least if he wants to keep them, put them on those boring VIPs then let the younger ones with more energy in public concerts
yes,thats one of the reasons because now they could face two generations of guys wanting to block them,imagine for example les contremaitre really kicked from the start lots of contracts here and there a proper producer and so on and made a real real impact,given the history of our music i can guarantee the 3 F's and heritier would not mind associate if they saw the guys were becoming a threat and then same thing has been happening since 3rd generation if not earlier the other reason being ego,now you can find random band members with a tiny little bit of success,or lets say people just know their names but in their head they are already convinced to be like afande or fally ferre in their chef d'orchestre days so they refused to be seen under authority of another one