they'll go to somebody,often a woman,or a family relative then they will be oriented towards a city where its more likely to succeed as asylum seeker,or some would just not care and risk it all by staying like that because its better than africa anyways look as those lights those roads haha when groups come in winter the risk of people leaving is higher despite the cold temperatures,the guys especially the ones having their first tours are completely in awe when seeing roads constantly supplied with electric energy, and a lot of coloured light effects,that alone is already more than enough to see a musician jumping from his window the day they have to gather at airport to go hide somewhere or some even actually arriving at airport,then going to pee or something and running away
i believe some people from extra went to send cryptic shots about sacrifice and you know how our artists are if somebody said x its automatically something already planned agreed and ordered by his boss,so even roga's post on facebook was ignored because they might have considered it liks hypocricy
Possible or must be from those regions who have family in drc and angola at the same time by the way who heard roga insinuate that ramatoulaye and sonor refused to associate to the collective funerals because of him,if so maybe they are still holding grudge over stuff like kassoul's death for example
Lol ferre is not a saint from heaven,but the way they have clinged on to ferre is so funny the communication before the concert,ferre ferre ferre ,after the concert,ferre zua visa totala and this and that whereas ferre is not going for a open war,he's more like heritier is just being noisy like his late brother could be its happening too late,if it happened when maison mere and ferre were still in warhe'd have got full open backing of maison mere,now they are forced to sit on the fence,and the minimal backing he gets then puts the shadow of maison mere behind every thing he does and he might not even get credit for what he's been trying to achieve
Just after the drum introduction,by the way am i the only one who thinks that tyson ramazani has been the most difficult duo of soloist to identify in the history of quartier latin?i mean we'd more or less know when it was didace le prof,ya poly or ridens or lebou playing,and tyson himself but then during ramazani's time in the group i feel like aside from that agressive rock guitar that tyson would pull sometimes most of what they played was dificult to strictly identify who it was,unless they were shouted out
i saw one of the organisers explain how the selection happens,and he said that it starts from labels of francophone artists presenting them their results and them also associating the downloads,the views and so on like the europe disque d'ors ferre is in anglophone universal music,i dont know if this could be the reason of his absence with either of bizorbi,mua mbuyi or mobondo for example as single d'ors innoss is independent,gaz is or was with bomaye music and is also independent like innoss
she says when her and kenien na mbonda returned to kinshasa after running away in europe fabro was proudly saying that he had done stuff to curse them so that they return and that after that she suffered from mbasu and the traditional doctors and pastors and so on who they visited with her mother all said that this came from fabregas and that fabro openly says in reunion that he is into witchcraft but them as band members dont have the right to do it
i just re listened to effrakata fully for the first time in a long time,and its only now that i realised how chamberton heavily participated in chorus on many songs,he seemed to have those type of voices which can "shape" a chorus and kind of overshadow others,like suzuki like lacoste at times and so on
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