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Topics - mampenza

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1
Congolese Music / 2ND EPISODE OF ANALYSING GENERIQUE...
« on: June 17, 2016, 09:23 »
STABILISATION

Bercy Mwana 07:35 455 seconds 64%
Ambulance 07:35 - 09:50 145 seconds 19%
Lobeso 09:50 - 11:50 120 seconds 17%

VIDEO



Nice Idea the one to shoot the video on the dualism between a soccer field and a garage, but just filming it  in the garage would have been a better option, and then the shooting in the soccer field is not as good as the one on the garage so it seems like two different songs instead of one. Good montage but way too much cuts and a viewer cannot focus properly on the dance. I give a 7/10 just for the garage part if not it would be a 5/10.

MUSIC:



Nice idea the one to simulate the start of the music as a flight ready to take off, but everything goes bad when Bercy mwana starts, he goes good with the traditional sound on his back on the crie "Ali Mbonda oko beta ndengenini..." But it sticks it up for too much long, finally he switches to elastique and then he throw pure rubbish except for the Didi Kinuani crie, when he finally finish Ambulance take the lead and he behaves really good, he got it but I really don't understand why Werra didn't give him space, this generique could be his signature like je ne Te calcule pas is the signature of Fusèe but Werra doesn't seem very interested in making quality music from a long time, when Ambulance finishes there it goes Lobeso with Musselu, the crie is perfect for guitar playing, bass, drums and voice and back choirs well done Lobeso even though Musselu (at least the music partition) is a creation of Japonais.

ATALAKU:
BERCY MWANA:
A huge no. Making two good cries over 7 minutes and 35 of animation can't be good, especially if you say that Bill is your idol every guy that grown up with even a crie of Bill, NEEDS TO KNOW how to make correct if not great animation, look at Kabuya you can see he listened to bill a lot not only for his voice, but for his words in cries and so on, but Bercy made an awful job. Vote 5

AMBULANCE D'ANGOLA:
He has been good for been a back up atalaku but he needs to come with stronger animation like the one he did on the other generique Ezui Ezui the initial crie which lead the song is brilliant I wish he would come up with that same quality, anyway on this song he has been good even though the crie "ekoti" is not his crie but his kirikou's which hadn't sang this crie even though he was in the movement. Vote 7

LOBESO: On the period of his beginning, Brigade was the main one, the starring the main atalaku but after his departure, he became more mature for the way of making cries, he now really never misses one crie and after satellite where he was still developing his talent I think that in Ingeta he reached his peek, and he did only get better  in Mipende even though in that album he should have made multiple styles of animation and not just one, anyway to me Musselu is a perfect crie and I think that Musselu over Kata Fumbwa should have give him the trophy of best atalaku of 2014.
Vote 10

2
Congolese Music / ANALYZING GENERIQUE...
« on: June 15, 2016, 23:32 »
ANALYZING GENERIQUE
JE NE TE CALCULE PAS



VIDEO
I think is one of the best videos ever made in 2010-2016 period a ten for the concept and the idea of it, is very coloured, and the murales on the back give a little bit of street credibility with the guys in the windows clapping and dancing. All the squad is dress good but not in excessive way or expensive way but really calm and lay back the bad thing is that they are too much people in the video so you can't give enough space to everybody except the atalakus and papa Cherie himself.
By the way the four new dancers are smoking hot give me their number or their fb :D
Vote of the video 8.5

MUSIC
This song is what I called an evolution of the music, it starts with a classic guitar, the bass and hi hat by the drums section, along with synthe, and mbonda in the second part. Then there is the switch Electric guitar, heavy drumming and bassing, with mbonda, synthe and Ngongui creating a perfect harmony. Tolbert says he listens to a lot of old majestic songs and you can seeing it on his touch, his partition remind me of Wenge Musica before the division but with a kind of evolution. The first songs from Wenge (JB Mpiana part) on solo were following a lot emeneya songs and Tolbert kinda came with his own style but having the Wenge taste.
Vote of the song: 10

ATALAKU
FUSÈE DE GUERRE 56% 01:38 - 04:12, 05:16-06:05 154 + 50 = 204 seconds
GENTA 26% 00:42 - 01:17, 04:12-05:16 35 + 64 = 94 seconds
MATELO PAJO 18% 00:00 - 00:42, 01:17- 01:38  63 seconds

FUSÈE: What else I could say about this guy? Nothing more, he cane with his own style of animation following his idol Caludji and being schooled by Genta this is only a little flesh of what he is capable of BDM is his album, what I don't understand is why he had to wait seven years to have his own cries. Vote 10
GENTA: He keeps doing that funny Kalonji voice ruining his natural one, he keeps insisting on this synthè after 5 years from Biloko, but that guy has something special, I watch him live at one of his performance, and when he sang that crime "Mboka kitoko eee ovandi na yango zala mayele, Papa Chere abotama awaa" I understand why he is still one of the best Congolese atalaku, I know he tried to look his replacement in the atalaku section with Cellulaire before and then Ben Laden and Matelo, but now he can sleep at night knowing that there is Fusèe. Vote 7

MATELO: This guy is a complete atalaku, knows how to make cries and never come with silly or sexual cries but always measured and in an Intelligent way, speaking about Wenge and bringing to life popular/traditional chant, he is a good an excellent avant-gout (preview) for Fusèe in this song, what I don't understand is why he always have small space, he is not lazy he always have two or more cries per album since he came in Quel Est ton problème, but never gas the chance to make powerful cries. He is one of my favourite atalaku listen him here in the 2 generique of Je Ne Te Calcule Pas on that "E changala Marie Kiteso ChangaChangalalachanga",

really good. Vote 8

3
Congolese Music / CELLULAIRE KNOWS NDULE
« on: June 09, 2016, 20:53 »

One of the few songs were cellulaire had space and sang great, listen just listen the initial duet with Ben Laden (Bana Kuluna Crie) 6:10- 6:44 and the solo lead from 7:07-7-41 (Musselu crie). The guy gave quality, heart, vocal elasticity, precision and soul in this song and this is why me and other BCBG fans are angry towards him. He has a clean natural voice but he is lazy as fuck. I think if he doesn't wake up after BDM he will be the most humiliated and unrespected atalaku of history. By the way Cedric Guez the writer.

4
On the 4th of June the singer and DJ Leekufa Debordo was involved with his staff's members, in an accident causing the death of three person the two dancers Soxy Maggie, Matrix and his manager, even though he had a broken arm he is OK. Not for being bad but I think this is a case of Kindoki Sorcellerie, for the accident, it is weird that he is still alive while three others were seriously injured
Here is the French version
http://koaci.com/cote-divoire-grave-accident-lautoroute-nord-debordo-leekunfa-parmi-blesses-99056.html
Here is the English version
http://cam-pedia.org/2016/06/very-very-tragic-news-the-great-ivorian-singer-leekufa-debordo-was-involved-in-a-ghastly-motor-accident-last-saturday-and-3-members-of-his-team-died-instantly-two-dancers-soxy-maggie-matrix-and/

5
Congolese Music / SOYONS MULUBA
« on: June 08, 2016, 11:57 »
Which one of the musicans, of WENGE BCBG, is Muluba? I know for sure that Fusèe, Genta, Ben Laden are Mulubas but waht about Cellulaire (is he still alive?) Mignon, JDL, Metro, Zulu Mbonda and so on? I think that Rio is an Angolan.Congolese for his name, and Kibens even though he lived in Brazzavile is Congolese but I don't remember from what part originally.

6
Congolese Music / FALLY IPUPA INTERVIEW BY FRANCE24
« on: June 07, 2016, 13:21 »

The interview starts with a female journalist talking about sapeurs and her talking to the president of local sapeurs (the guy spend 1000$ for clothes SMH). After remembering the king of the Sapolgie Papa Wemba 3x Hustler comes out of a car and the interviewer starts to ask him things about career life and mostly sapeur life.
Fally says that is part of Congolese culture and that Papa Wemba, Koffi and Werra music always coming with Sapologue, he then shows her the repetition place, and then the orchestra give a little flesh of Sweet Life.
The interviewer asks Fally what is the secret behind being the most selling artist in Congo and Cally says that even though it is because he got a three album contract with universal and this is one of the reasons he is getting so much successful, he really commits to the promotion of the music of the guys in his group having an independent mindset as well. Then he explains that ( much like Papa Wemba in my opinion) he has a double career the European one the one that alloweds him to perform in such big halls as Olympia and Zenith and the other more Congolese one the dedicace the seben, the rumba. The interviewer smiling says you become an Entrepreneur, he said smiling too well a Philanthropist one and by that he produce foreign artist (Unlike other Congolese big artist/producer in my opinion) and all the guys behind him and then he answer that is good for visibility being the ambassador of kartel a telephone company. About the love/rival bond in African music between R.D.C. and Cote D'Ivoire he said that Congolese music is not alone now but it is still the best and in general African music is the best for structure and overall, what African music misses is money, infrastructure and many things that helps people of overseas to see African music, along with piraterie, and the right of author, hoping that this will change. Plus interview to Therese Kirongozi a female engineer that invented a robot to make sure that traffic is controlled. I went crazy on this news

7
Congolese Music / CAN METRO BE THE NEXT DJINO IN WENGE?
« on: June 03, 2016, 12:48 »
A lot of fans talking about Wenge singers said that in BCBG now a singer like Djino is missing and the only reason of Success for Wenge is because of Papa Cherie himself Tolbert and Fusee but I don't agree because Fudji, Abraham, Abel De Charme are great singers, and a natural replacement of Djino is Metro, is difficult to see in Congolese music new generation a natural singer like Metro nowadays. Every time he sings in concerts, in studio and  in interviews, it is always at the same tone and always clean unlike other new generation singers ( like Nicodem) who may be great in studio but in live showcase they start to be totally different. To me metrostar in future will have the same impact that Chair had on Wenge and if he will go solo one day I think he will battle with Fally and Ferre for that new generation leader's throne

8
Congolese Music / WERRASON LIVE IN KENYA
« on: June 02, 2016, 18:41 »
The first part of Werrason live in Kenya

9
Congolese Music / MEMORIES...
« on: May 31, 2016, 22:51 »

Sadly after this song and the brilliant solo album Djouna dusapperead from the Congolese scene

10
As you know Maman Amazone the widow of Papa Wemba banned this two from the funeral and any public manifestation of mourning to Muse. What I didn't understood is why????

11
Congolese Music / CONCERT IN KINKOLE BY WENGE BCBG
« on: May 28, 2016, 11:41 »
It starts at 3:58

12
Congolese Music / RUMBA DES JEUNES
« on: May 27, 2016, 10:29 »
Fusèe, Ferre, Tutu Caludji and others are from this band, but it is still not big and famous like other groups, who are the members now, and they released something recently?

13
Congolese Music / EXCELLENT SONG FROM MOTO PAMBA
« on: May 27, 2016, 10:18 »
This song is perfect. There isn't much to say about it.

14
Congolese Music / WERRASON KASKITO (REMIX)
« on: May 27, 2016, 10:12 »
Nice remix, Miel De Son has really grown a lot vocally, Werra should give him more space, who is the guy ahead of Loeso in the atalaku section he is really good. Lobeso is weird in the song he says that Congo needs to go back with the ancestors and African authenticity and then he is the first one speaking French like a white guy.

15
Congolese Music / WHEN PULULU TRIED HIS LUCK WITH WENGE...
« on: May 25, 2016, 19:12 »
The guy got moves though lol
Translation.
Pululu: Can I speak?.
Brigade: Go ahead.
Pululu: I don't like how you took my music and became successful with with, Ya Nsone, me and Brigade are gonna fight today. (Lol).
Then they started the obala? Te obota Te dance.
As soon as they stop pululu goes like this.
Pululu: Ya Ngiama today if you don't accept me between your musician I will not go ( and then he kneels to the ground).

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