I totally forgot. Vieux Roger Izeidi has a book on the market about what he witnessed in African Fiesta and Afrisa. But since that most Congolese people don't like to read, he tried to talk about for a small part through interviews he did with Chouna Mangondo.
Why was the 1982-1987 generation of Viva la Musica that had singers like Lidjo Kwempa, Luciana Demingongo, Reddy Amisi, Maray Maray and co not really into Sape like that the precedant of Emeneya, Djanana, Debaba, Bipoli and co ? Was it because of them not really having Papa Wemba and Viva la Musica-artists as their idol before joining it or was it because of not having experienced the 1980 Europe and meeting those sapeurs in Paris ? I remember years later Papa Wemba complaining often in interviews about artists like Depitcho being called "Roi des Crocos" and Adolphe Dominguez "Le Roi Sapeur", but Reddy and Stino doing nothing to counter them.
However, when I think back about those old concerts in Europe back in the 1990s, I can say that late Cele le Roi and Gloria Thukadio were defending Viva la Musica well in Religion Kitendi. But them not having same aura like Reddy, Stino or even Jolu Mubiala.
Books who are sold through internet are mostly books about the history of Congolese music, but not biographies focused on one person, for example Rumba on the River, The Politics of Dance Music in Mobutu’s Zaire, etc
Talking about spirituality, ramadan, islam and that having sex with a woman without being married is a sin and that Allah would not listen to your prayers. Also saying that all Stade des Martyrs are spiritually prepared and that Wazekwa failed because of not doing that.
Also talking about his collaboration with Madilu. Saying that Madilu was about to get arrested when coming from Europe, because of the chiefs of OK Jazz making a story up that he was talking bad about the authorities, etc.
Him explaining that Marie Paul doesn't have the right to talk bad about Werrason, giving then multiple examples of the past in Wenge 4x4, adding that if he couldn't mention Werrason, then he had not to mention Adolphe for the things Adolphe said about Marie Paul's mother when she passed away. I wonder what Adolphe exactly said.
Towards the end they talked about bandleaders and Hassan explaining that bandmembers could not do nkisi on their bandleaders because of the bandleaders being spiritually suprior to them. Saying that its bandleaders choice himself to bring x or y to Europe and not that he was influenced trough nkisi, giving the example how Mustapha took Babia's clothes before Bercy, because of Babia being distracted, saying that Mustapha said the story to Hassan himself (version about Mustapha change everything, the other time they he went in the place of Chikito, then Spino, etc.). Also giving them the example of how Manda Chante tried to make from El Paris his band and before leaving sending a 2ème voix singer (I think Kene-Kene) to go a sorcerer and the sorcerer saying that he had to give Marie Paul a handshake and that he would have fame by stealing his power through the handshake. But when meeting Marie Paul, getting scared and the singer snitching everything.
I was often who Wabalonzo was. In the last years that I was following Digitalcongo on their website, I saw articles writing about him and some of a man called Shangostar or something like that. I think that ShaddyRaddy even uploaded two albums of Wabalonzo back in the days. But I will look it later up.
Wabalonzo said that he grew up in Makala and later went to live in Masina, adding that he grew up with Reddy in Makala. Later in the interview he said that Reddy kept saying that he didn't had time to sing on his first album which backed by Viva la Musica. Also adding that he was already accepted to join Viva la Musica, but Reddy Amisi refusing to let him sing. This made me think back, about Wabalonzo that he knew Reddy already in his childhood in Makala. There some people who don't like to be associated with people that know them during the time of struggling, espcially when they present a different image. Reddy for example always says that he's from Yolo, because of being ashamed to say that he's from Makala. Many people from Makala don't like that and sometimes attack him in the comments when saying that. He's not the only one. Many people that grew in areas/quarters that were construced after 1960 are ashamed of it. Them often citing the area/quarters next to it who were constructed before the Belgians left Kinshasa, when being asked where they are from, others replying by citing the quarter/area where aunt/uncle/cousins live. Today it's not really an issue anymore, because of the state of Kinshasa today. But back in the days it was really and thing, some saying it because of not wanting to get bullied or discriminated by those coming from the pre-indepedence areas/quarters. For example, many people from Ngaba used to say that they are from Lemba, those coming from Selembao lying that they are from Bandal, those of Bumbu saying Ngiri-Ngiri, Kisenso lying that they are of Matete and those of Kimbanseke saying that they are bana N'djili.
There are many people that got in Europe through Angola in the 1980s and early 1990s. Back in those days it was so easy. Looks like before the hype of Turkey and Morrocco, that the majority of people in Europe came from there, followed by Nigeria and Benin being 3th of having brought many Congolese people in Europe. I have also many relatives that managed to come here, through those tourist visa's. Many people would be ashamed for the story Wabalonzo said, that he got deported from Prague to Luanda and being put for 60+ days and then the second time finally succeeding.
It's the first that I hear a singer singing with late Eseperant Kisangani's voice. Often its always Emeneya and Papa Wemba and on a few occassions Bozi.
I think that that of Koffi, Franco, Verckys, Tabu Ley, Mpongo Love and Abeti would be the most interesting. The saddest would be that of Dr Nico, especially his last years and the way he died and maybe also that of JB for the way people were fighting his career from the Wenge split and his dark years (2002-2009)
Why is Fabregas nominated while his album had zero succes in Congo and Africa. But Ferre Gola who had succes this year Birzorbi, many people doing challenges on social media, getting zero nomination ? No nomination at the category "Best Male Central Africa", no nomination at the category "Best Francophone".
Is it because of Garry Iwele who's Fally's friend being in the jury ? Or does Ferre Gola has personal problems with people in the African showbizz world ? Because isn't also nominated for the coming Trace Award. I think that Koffi was right about his declartion about AFRIMMA and some people are there influenced by certain artists to not nominate x or y.
Ferre is signed to Sony Music. Can't his team of Sony do something or is his contract to Sony, like that of African artists being signed to Universal Africa. The artist doing everything on his own and label just doing the distribution.
The show is tomorrow. I'm sad that I'm discovering only it only now. Otherwise I would have bought a ticket to attend the show. The public will be probably white I think, otherwise other guitarists would have done alot of noise about it on different youtube-channels
Its different from the 1980s and 1990s when Soukous artists and Kinshasa based came to perform there. But na Filet was announced for a concert last year, but I don't know what happened.
There's now a big Congolese community in Brazil, since the early 2010s. Most of them came there through Angola and try to get either in Europe or Canada/USA. Most choose to get in USA/Canada, since that most don't manage to get visa's for Portugal anymore to enter the Schengen Area. Them going to the USA by travelling many countries of Southern and Central America. Many people die when opting that route. The last 4 years there were many documentaries made about it. A few months ago I was watching news and on tv being reported that many Africans were blocked at the border of Mexico and USA.
Because of a big African community being there in Brazil. I think that the impact will be less, than when it was back in the days when Congolese artists would perform there. The same for Japan, Australia and China, where you now also have many Africans. I think that Colombia, Cuba, India would be more interesting. I've haven't since years of Congolese artists performing in Oman or Saudi Arabia since the end of the Soukous-fever
I wonder if Igwejunior1030 will come back. Because such things can be demotivate someone. Look at Ina Congo he had the biggest youtube-channel with Congolese Archives. Starting to put videos since I think 2013 with the videos of Charles Mombaya and Koffi Olomide in Abidjan 1995 and from 2015 with Wenge BCBG's concert at Bataclan in 1998, coming at least every month with some videos. He already knew that he was risking to see his channel getting closed, after seeing many videos getting deleted from his channel or sometimes old producers threaten him in the comments to remove the video, but the video itself never coming back on youtube or on a new channel when being refused. Because of that he made Ina Congo II and when his channel got closed this year, he started using his second account and trying to re-upload the videos of his closed channel in better quality. But after a few months he stopped. I think that he's not motivated anymore and still getting warnings.
The thing they can do is making like 4 or 5 and posting the same videos on all these but on a locked mode and when one channel get closed, just wait for a few weeks and then unlock the videos that were already uploaded on the other channels.
Its all is really sad. Even RTNC and Congolese tv-channels itself doesn't have these archives and them always using videos coming from INA Congo, Igwejunior1030, Emiliodj, Seben Total, Bikoni243 and Musique Zairoise. What does these producers want ? I don't think that the owners of these youtube-channels get money from the videos, because the views of these videos being to low for it. If they aren't happy that they upload these videos, why don't why do it by themselves ? Alot of people are looking for these archives, even artists themselves since that they have these videos in possession. Also all these cassettes aren't sold anymore. Really sad.
Nooooooooo. They messed my day up. I was about to watch Academia's Nzungu Ekotoko and Face a Face.
Was this because of putting rare videos of Ngadiadia Ngadios on youtube ? I don't understand those accounts sending strikes to him. Where are they waiting for to put those videos on their own account ? I remember the first time when his account closed because of Papy Tex. But the same Papy Tex not being able to put the original videos on his channels and just using the images of Igwejunior1030 who were in black and white.
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