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Messages - Congolitude
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931
« on: May 06, 2018, 23:01 »
Brigade said a really good thing saying that Werra had soldiers next to him sharingthe fame and the pressure with him in the previous generations. Each musician were stars, those of today do not seem to reap the same success as the previous ones.
932
« on: May 06, 2018, 20:51 »
just to get your opinion, what is the best album of Ferré for you ?
Personnaly, i would say :
1. Qui est derrière toi ?
2. QQJD
3. Sens Interdit
4. Boite noire
933
« on: May 05, 2018, 15:36 »
indeed,happy birthday aswell to them(and myself lol) and those on the forum who are also born today
happy birthday président, thank you for the whole contribution you made on this forum and for all "masolo ya kati" & actuality that you share with us  
934
« on: May 05, 2018, 13:28 »
happy birthday to them, one is a legend, the other is a hope of our music
935
« on: May 05, 2018, 12:22 »
Is it good and worth a listen like the album he released just a few months ago (Incroyable)?
for my part, I find that "Incroyable" was much better played and more ambiant, i'm very disappointed with the feat with Fally, Fally never gives himself thoroughly when he is invited on a collaboration
936
« on: May 05, 2018, 12:14 »
Yeah but Archos tutu became a singer by 2001 2002 but everyone always constantly praises him
3. Gentamicine (before he voice changed). I love that mantshimba kolele nsiama and many other cries at Zenith '99 and Ya Pas Match, it's a shame that they didn't let him put alot of animations on TH. But on the other side it's was also good because it made use discover those then new Tshiluba-animations Calugi made after Ya Pas Match.
This cries "mantshimba kolele nsiama" was also used by Ocean in Force de Frappe and at Bercy of Koffi
937
« on: May 05, 2018, 00:31 »
 After his first album "Incroyable" (incredible), French rapper Naza released his second album with other french rappers in featuring (Alonzo, Keblack, Ninho), our star (Fally Ipupa) and his friend and comedian OhmondieuSalva
938
« on: May 04, 2018, 23:37 »
i thought that Fally was saying "mutoto" not "mtoto
939
« on: May 03, 2018, 20:36 »
@mvulusi96 @archos
 Guys, check out the 1:04:10 mark of the concert! I don't know if that was a wardrobe malfunction or part of the fashion! 
If I'm not mistaken the guitarist present are Ficcare, Mboka Liya, and Japonais with Didier Masela on bass. You could literally see the decline of Ekokota, his attempts at animations were devoid of that creative spark he once had and Caludji simply overshadowed him.
very true, Ekokota had some power since his first animations in the album "Kin e bougé" then from 1996/1997 he completely lost that power
940
« on: May 03, 2018, 20:24 »
the most productive of this generation alongside fally and ferré
941
« on: May 03, 2018, 10:54 »
Here is the photo Wata posted yesterday about the migration to bank payments.
Why is Carine even there? Is she even an official La Team Wata member?
Carine is not supposed to be a member of the Team Wata but Héritier takes him wherever he goes and I think he does not open bank accounts only for his musicians but also for the members of his staff who are under his orders. Daddy Mula, Francis Dibaya, for example, must have had an opening of bank accounts
942
« on: May 03, 2018, 10:50 »
@Matebu
Perhaps the recent trend of increasingly programmed music over live instrumentation is because it's cheaper to record and release. Half the battle of making music today is done by when you can program percussions, horn sections, and synths on the keyboard. Where back in the day, you had to factor in whether live horns would sync well with the guitars, keyboards, and drums. This means that music composition was the foundation of song creation, as opposed to improvising melodies on a keyboard or guitar partition then stretching them out into songs.
In order to conserve cost, reheasals were constant and music compositions of some of our favorite songs underwent many rewrites to get that sound just perfect enough to record. With a band set up of lead (sometimed mi-solo) and rhythm guitar, it required a dedicated team of studio engineers to properly record and sequence the music in respects to the bass player and drums.
This requires a lot of money, patience, and commitment which I don't think a lot of artist have nowadays in the social media era. It's all about quick output and even faster returns on investment, where as the past required time to create an album that could survive months on rotations because of the power of the music.
As far as lyrics go, maybe it's time for songwriters to reach into themselves and share songs about the things we all go through besides just sex...maybe fables of common life or songs about personal trials (big or small). Atalakus need to strengthen their craft on creating cries that get people to dance and admire their wordplay (incorperate different languages like kikongo and tshiluba).
Those are just my observations, but it seems we're all on the save wavelength.
Very good explanation, all this summarizes what Congolese music needs to regain the power it had before
943
« on: May 02, 2018, 21:06 »
What was it, the content is no longer available ?
944
« on: May 02, 2018, 09:57 »
Nicodem has a strong maturity but I think that Limousine would be more competent at the position of lead singer
945
« on: May 02, 2018, 08:40 »
Who would’ve known Werra’s biggest current threat would be his ex-star employee who actually pays his musicians properly?
somehow it's very good because it gives value to the musicians, and it will push other leaders to do the same, in the end the musicians will have at least a regular salary instead of being paid every 3 months
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