Especially the intro, with just the electric piano, synth strings and multi-tracked vocals. Replace the lyrics with something more holy and religious, tone down the guitar's volume a bit and you get something that Alain Moloto and Charles Mombaya would've done back in the days.
This guy was literally the hidden face of Parisian soukous back in the 90s. I knew he could hold an entire album, but I didn't think he'd release a solo album, let alone two.
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