Author Topic: FAM whos in control of koffis spotify  (Read 1865 times)

Mopao195 on: April 12, 2021, 23:23

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Look at it chaos there are even two profiles koffi olomide and koffie olomide and dates are all messed up V12 got 09' as a release date so does magie and those arent the only ones. Someone need to fix that shit man this site got alot of visitors, if koffi's team see this fix it please
i dont know what this means but its hard

Magalie alati string, Magalie alati jupe ya mokuse, Magalie
a biper mbila
Tchepamba tchepamba techpamba

Longbluesquid #1 on: April 13, 2021, 13:08

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I think this is on the label.

MusiqueZaïroise #2 on: April 13, 2021, 14:54

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It's a problem on Sonodisc's database

CM PRINCE #3 on: April 13, 2021, 15:51

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It’s not just Koffi, it’s also Werrason, Zaiko, Ferre, Wenge 4x4.

Mopao195 #4 on: April 13, 2021, 18:15

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It's a problem on Sonodisc's database
i contacted them hopefully they'll fix it
i dont know what this means but its hard

Magalie alati string, Magalie alati jupe ya mokuse, Magalie
a biper mbila
Tchepamba tchepamba techpamba

Mopao195 #5 on: April 13, 2021, 18:19

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It’s not just Koffi, it’s also Werrason, Zaiko, Ferre, Wenge 4x4.
African music doesn't get enough respect on these white-owned streaming sites.  À La Queue Leu-Leu got 2011 as a release date lol.
i dont know what this means but its hard

Magalie alati string, Magalie alati jupe ya mokuse, Magalie
a biper mbila
Tchepamba tchepamba techpamba

Longbluesquid #6 on: April 13, 2021, 20:24

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Oh man you have contact for sonodisc?

MusiqueZaïroise #7 on: April 13, 2021, 22:10

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Manzambi94 #8 on: April 15, 2021, 16:56

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It’s not just Koffi, it’s also Werrason, Zaiko, Ferre, Wenge 4x4.
African music doesn't get enough respect on these white-owned streaming sites.  À La Queue Leu-Leu got 2011 as a release date lol.

It is not steaming services is Label not knowing their artists when you release music there is a date in which you decide what date the project was released, it is usually labels not paying attention to African artist since they are there just for a control aspect and not for caring about the artist well being.