Be it Conge Brazza or Congo Kinsasha, Congolese music has transcended through many levels and is now part of world music. I remember living in Niamey, Niger in 80-85 and from listening to the international radio station Africa Numero 1, I came to know music from artists like Kanda Bongo Man (JT), Pierre Moutuouari (Missenge) and Zaiko Langa Langa ( Live au Japon), Aurlus Mabele Rosine. The genre generally called soukous then conquered West Africa and eventually most of Africa. By the late 80s, I knew The Papa Wembas and the Koffi Olomides. For Non Congolese folks on this board, I'm sure they can remember probably the same artists as well. But all this is not complete without mentioning Awilo Longomba. He was the true conqueror of the world. People like Ferre and Werrason would not have played in Nigeria if it wasn't for Awilo who brought Congolese music/Soukous to Anglophone Africa.
Papa Wemba brought our music to Japan (he performed there many times 1986-1993) and to the white audience. So sad that he didn't continue on that way after Emotion. He could have been a bigger legend than Youssou N'dour. Imagine that Youssou N'Dour said that he wanted to be like Papa Wemba, before he started his international carreer. So sad. All because the people around him who were didn't want to lose him and himself being scared seeing the Congolese music-scène being dominanted by Wenge Musica and Koffi Olomide. With him making an comeback with Foridoles & Pole Position and settling with the Nouvelle Ecriture-album. I remember Francis Kakonde asking him "why coming from a high level of Emotion and sincking very low to Kaokokokorobo" with Wemba feeling uncomfortable.