His atalaku is nice 

its amazing how congo brazza and kinshasa atalakus are different,this atalaku you can tell directly he is from brazza,listen to hermann ngassaki or doudou copa or papy bastin generiques you'll hear the same style

its amazing how congo brazza and kinshasa atalakus are different,this atalaku you can tell directly he is from brazza,listen to hermann ngassaki or doudou copa or papy bastin generiques you'll hear the same style

please explain because I don't get what you're saying

 its not easy to explain but there is something different in their flow,they are more direct that kinshasa atalakus,sometimes they almost sound like rapping

its not easy to explain but there is something different in their flow,they are more direct that kinshasa atalakus,sometimes they almost sound like rapping

Are you talking about that fast paced coupe decale type rapping Djino's atalaku does?

voila,and in the herman generique,his atalaku does the same in that animation  where he says "keba...tokende kaka liboso" something like that

I like when Djino's atalaku goes like" zikisaka ye zikisaka ye" @0:25-50

Who is sponsoring this ''ingrate'' Djino, how did he afford to record at Ndiaye under JP Kys sho is shown their on the mixing desk.
Indeed, this style of animation is predominant in Congo Brazza.

Who is sponsoring this ''ingrate'' Djino, how did he afford to record at Ndiaye under JP Kys sho is shown their on the mixing desk.
Indeed, this style of animation is predominant in Congo Brazza.

koffi paid a good part of the fees,djino refused to be a member of quartier cindy so their agreement was that koffi would fund him as long as he leaves bcbg,then after djino was introduced to  publicom studio production by fabregas,and also somehow he managed to maintain relationship with many bcbg donors

sly listen to that interview,at some point seguin says ntima mbi, in kikongo it means something like machiavelic, and he is indirectly talking about koffi