he says that indeed derangement was not as great as people expected but he thinks its the same for the other camp and he thinks they were disturbed by that polemic and he thinks now his boss ferre has decided to move on
about congolese music in general he says the lack of love is making congolese music go down,in the past congolese music was rocket high with ndombolo because all the groups supported it and promoted it,now if you have just one animation similar with another group they'll make a big deal of it
he says before joining either group he was already creating animation at street level,like the one of "manioko ma pondu" bill clinton used on mukusa mukongo,but says he did not deal directly with bill its some guys who know bill who gave it to him and credit to him for how he used it
he does a short extract of a new animation and talks about his time in maison mere saying he was curious to know how its there due to being young and carefree and he thinks it was a bad experience for him and his "home" is in ferre"s group
when asked about his struggles in studio, he says its a false reason and if maison mere really loved him they would help him overcome his problems instead of giving to another atalaku to shine with it,and gives example of his return to ferré's group where he also struggled but with a bit of patience from ferré he did it well,and people are making too big a deal of his struggles because it happens to every artist not to have a good voice sometimes,there is no artist who goes to studio and does it perfect straight away
he says they started boite noire in the studio in which they recorded derangement but ferre noticed it was not good enough and they moved to ndiaye,and this time they went there again despite sound issues but ferré thought anyway i am ferre so album will be succesful
