yeah i agree but the positivei find is that there is zero song with dominant programming
The album disappeared from Tidal this evening.
I don't really think tidal or these other streaming services have a good African music audience if I'm correct. So maybe this happens with a lot of African albums
I listened to this album, honestly as a huge fan of the Extra Music sound...I am really disappointed, though it should be expected. Im speaking from the standpoint of a non-lingala speaker but as musician and a huge fan of the seben/soukous. Like others have mentioned before, the sound of Extra is the same thing over and over. The fact that this album is mostly seben sound I think hurts it simply because the beat is the exact same song for every song. If you were to run each seben one after the next you can't really tell you're on a new song. This was an album that was purely recycled Extra Music/Wenge songs. I feel Extra Music with this album has not advanced their music one bit, they've actually regressed. Nothing innovative hereFrom a pure musical standpoint based on the quality of the music alone and my bias towards their sound it gets a 7/10. Nothing innovative or different vs the music of today.From the standpoint of knowing the previous work and how this album is recycled..a solid 2/10. This album sounds like a more polished version of previous albums 100%. The sound is not bad rather just absolutely nothing new. 1. 242: This song sounds just like Sorcille Kindoki from start to end. The distorted guitar solo at the end is used in at least 5 other songs in this album and has been heard before in songs over the past. "Jesu sur la croix" The entire arrangement is the same song2. Ingratitude sounds like a song from Wenge's Les Anges Adorables mixed with something from Shalai album3. MM International...see number 2 and number, solo sounds like Innodation4. Same as number 2 with "Jesu sur la croix" solo5. Another previous rumba6. See number 27. Le philanthrope starts off like and old Wenge/Shalai/Obligatoire song then he literally goes into the same solo from Innodation @ 3:158. Le jour sinistre....This song is the same as Chagrin plus plus..LITERALLY!. Bass line gives it away. It transitions into a Makaba ish rift at the end. 9. Drumming actually sounds a lot like one of Papy Kakol's on a Maison Mere album...cant think of the song. It transitions into a halfway solo and goes back into the "Jesu sur la croix" solo10. Toko Suka Wapi...I had hope. But again its just and old song repackaged. They took Chagrin plus plus and put it in a major key in the 7/7 progression. Then again "Jesu sur la croix" solo at the end.