Seeing Rigo Makengo giving Djonolo special thanks next to Rigo Star and Nene Tchakou makes me even suspect him more for being the original author of the Nemiala de Berlin, Ba Ngambo ya la Vie, Les Refoules de Schengen and Vendredi Noir. The arrangement of the songs and way of singing in these songs were totally his style.
Its a typical mid-90s booklet of African artists. I feel like 5/4 songs in this album being fillers. Koffi Olomidé is an artist who needs to be congratulated because of recording solo-album of 10, 11 & 12 songs for a long period without having fillers in it. I wonder if it was really Bozi's intention to record a solo album in this period. Bana Saint Gabriel is a better album. It was in this period that Interpol of Kofi Alibaba, Sadico, Trocadero and Micha Brown got created right ? Their album interpellation was a succes in Europe but now its impossible to find it back. Its a shame that Bozi didn't let his whole band participate to his album and the following one. This would have more fire if he brought Lapino instead of punishing him. It was from here that he wasn't brining the whole band anymore to Europe and mostly bringing ngulu's. In the credits there are only Deo Brando, Janvier Okota, Mi-Flo and Betty Biss as bandmembers the rest being session artists. Anyway, its only these day that I'm really paying attention to his albums of the 1990s. Back in the days I only focused on la carré magique, Big Stars, El Paris, Nouvelle Generation and a little bit Empire.
According Koffi Alibaba it was that the album was finished and Rigo Makengo who had to produce it listening to it, saying that their solist was weak and that they had to correct some lines. But when coming back to the studio Meko all files already being erased by the sound engineer, which is really sad. In an interview Koffi Alibaba did with Mbuta Likasu he said that they had the chance to record a second album with label that did their first album. But the label only sending them 10 visa’s to record a new album in Europe, them refusing wanting to bring the whole band they had in Kinshasa. Thinking about it, it was a huge mistake by missing that opportunity. They had success in concerts, even Wenge Musica started to respect them and mentioning them interviews saying that they are the only band in Kinshasa next to them to have succes (just to piss Wenge El Paris off). Position Eyebani was not bad. It was a good album although being recorded in Kinshasa. Film Ebaluki (1999) which Bozi did with Theo Mbala, Michaux Chamberton, Lokombe, Coreen Polystar was also good. I had the album Jeu Muke (2000) the past years often on repeat.There’s no Bozi that I listened so much like that one. It's a shame that the two albums weren’t well promoted.