I agree on your thoughts on Congo-Brazza music. At least to the extent that when that branch emerged and gained higher reputation in the 90's by Extra Musica, it seemed to have more potential in it than their Kinshasa counterparts. In my opinion, though Extra Musica copied Wenge musica, they could expell them in choruses, could keep up with them in animation, and could add one more twist to the sound instrumentally. I still consider them best regarding choruses and rumba melodies. But just as the bands in Kinshasa, they also declined in overall sound during the years, at least accoarding to my ears. Solos are not as interesing as before, nor the performance of the atalakus, but fortunately the choruses still sound very good and I also like the singers, however I definately miss the old ones, like Oxygéne or Papy Bastin. Apart from this, in my opinion, from all the bands in the past decade, Extra Musica could export this classical Congolese band lineup and sound to abroad to the world music scene the best. They had the most international-compatible profile, in my opinion, as a Congolese band. (Famous Congolese artists from Kinshasa living abroad mostly operate as individuals.)