you can clearly see that him and bondomania are from kin's style of play basically even if they implemented in their style that sebene shape of more or less long rhythmic guitar sequence then milangi or distortion, both came in G7 and patrouille des stars with something different to the extra musica touch
Quote from: archos on April 09, 2021, 16:39you can clearly see that him and bondomania are from kin's style of play basically even if they implemented in their style that sebene shape of more or less long rhythmic guitar sequence then milangi or distortion, both came in G7 and patrouille des stars with something different to the extra musica touchThis is very correct I think that’s why I even prefer there sebenes to extras, past Trop cest trop I find that extra style kind of annoying
I've never listened to a Patrouilles des Stars-album (except Obus Kanga Bikassa), just the generics and the two songs they dedicated to Congo Brazzaville. But I liked first part the Confirmation-generique, which reminded me of Kinanga Boeing (who used to play guitare-solo in Empire Bakuba). The sebenes of Obus Kanga Bikassa were epic, the solo's were reminding me about the way many street bands were playing lead in Kinshasa trying to follow Makaba's style, but not being able to close lol. If you look to Wenge Maison Mere's first concert at Zamba Playa, you will notice that Flamme Kapaya also used to play that style before changing after Solola Bien. Willy Ebondaki also used to play that style that Dr Costeau used to play, just listen to Longue Histoire. The late Zozo Malaba of Victoria Eleison played different was really a part of the Makaba-sect and played more original Makaba's style of the Anges Adorables/Pile ou Face-era.
Mfumu you must listen to Embargo I think you will appreciate it a lot , it’s a good progression from Obus Kanga and in my opinion one of the best albums out of Brazzaville in the past 25 years