yeah i would not surprised to see the "azalaka likangu na nga c'est le passe oh" part built by thousands of congolese women and some men on socials to diss their ex,or the foreign guys who complain that we sing too much in lingala make hella challenges on the "le telephone est dechargé" part i dont think ferre really planned it like that but this type of generiques have been pretty much about "hopefully some parts are made viral" of late remember how we said bizorbi this bizorbi that,at the end of the day only generique to have been remixed more than twice in less than a year since selfie
I just noticed that michel bass kinda confirmed the same thing,saying that ferre asked to have the same mix as an american artist which he made him listen to i think the idea behind it is that people often reproched him to stay too much in pure rumba and be outdated so i think mixing that way gave something more "modern"
Quote from: archos on October 13, 2023, 14:21I just noticed that michel bass kinda confirmed the same thing,saying that ferre asked to have the same mix as an american artist which he made him listen to i think the idea behind it is that people often reproched him to stay too much in pure rumba and be outdated so i think mixing that way gave something more "modern"I’m a blues guitarist so this actually makes me extremely happy. It gives songs like Oza a nostalgic feel which sounds like hommage to 80s Tabu Ley and Afrisa. Le Padre went old school with this album. He often gives history lessons in Congolese music, something Fally doesn’t do.
Guys please don't make this another Ferre Vs Fally thread, we will talk about Fally and his high and logs when Fally will release now that Ferre have released let's talk about the high and logs of Ferre please
no i think ferre's keyboard player who played it(who is in reality a fabregas keyboard player who ran away in europe and not a keyboard player from his group) nspired himself of that style,apart from their own creations most our keyboard players have two sources of partitions which are the church partitions(with that "church" keyboard style) and the partitions of kibinda nkoyi group which is kinda like traditional music which also are played mainly on that mode which "marries"well with the whistle here is another example at 4 05