Congo Vibes
Music => Congolese Music => Topic started by: CM PRINCE on December 30, 2018, 16:19
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https://m.youtube.com/watch?v=ENCaDEL657w
This has been on repeat for me the past few months so I thought I would share. Fantastic song from Sam I get proper tcha tcho vibes from this, it's sounds like a song koffi would've done in his tcha tcho days.
If only the ngulu affaire didn't happen Sam's career would've even been bigger.
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Sam is a great singer....listen to his vocals in Koffi's Papa na Roissy
https://www.youtube.com/watch?v=2SdyjV6f3vQ&list=PLSX2S4jjimO3DInDUOuUpEHup2o9fCGr9
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It's an excellent song. I like that Zouk-Love sound. It reminds me of those Zouk-songs I used to hear in the mid-2000s on the radios when I was spending time in Paris. It would have been nice if he had made an duet with Kim, Teeyah or Lynnsha on this song.
Sam Tshintu is complete artist. Having already worked with Lusafrica on Black Bazar, why doesn't he work with them again and record a Zouk or Salsa-album, so that he can tour in the French-West Indies or Latin America, perfoming in those small halls of Paris(La Boule Noire, New Morning,etc.) and get some money instead of doing those little jobs in Paris and losing times with those interviews. So sad how Alain Mabanckou scammed him and Modogo. Sam could have been an other level and finally be respected.
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Sam Tshintu is complete artist. Having already worked with Lusafrica on Black Bazar, why doesn't he work with them again and record a Zouk or Salsa-album, so that he can tour in the French-West Indies or Latin America, perfoming in those small halls of Paris (La Boule Noire, New Morning,etc.) and get some money instead of doing those little jobs in Paris and losing times with those interviews. So sad how Alain Mabanckou scammed him and Modogo. Sam could have been an other level and finally be respected.
I think that Sam Tshintu was eager to record Eyoma on his own.
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Sam Tshintu is complete artist. Having already worked with Lusafrica on Black Bazar, why doesn't he work with them again and record a Zouk or Salsa-album, so that he can tour in the French-West Indies or Latin America, perfoming in those small halls of Paris (La Boule Noire, New Morning,etc.) and get some money instead of doing those little jobs in Paris and losing times with those interviews. So sad how Alain Mabanckou scammed him and Modogo. Sam could have been an other level and finally be respected.
I think that Sam Tshintu was eager to record Eyoma on his own.
Brother with respect why do you keep bringing back all these old topics?