Congo Vibes
Music => Congolese Music => Topic started by: Mfumu Vata on March 17, 2025, 19:41
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https://www.tiktok.com/@letshing07/video/7482788073172929794
Papy Bastin, Roga Roga and Papy Jah dancing on Shalai. It seems that Extra Musica was based in France during the Shalai days
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You would except to see Kila Mbongo, Abilissi and Herman, who became kind like to image of the group.
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these type of archives wont please fans of fally ferre or the urban artists who tend to think they have invented everything lol
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these type of archives wont please fans of fally ferre or the urban artists who tend to think they have invented everything lol
Congolese music was getting a lot press from the French and American media between 1998-2001. Sadly a lot of the footage is not uploaded to YT/social media, although we are starting to see the footage’s being uploaded.
If my memory serves me correctly, I once read a page spread on Koffi in Le Parisien in the Bercy era
If artists weren’t so fixated on polemics and wasting energy making polemics VHS’ they could’ve gotten more exposure through connections with the Western press to get more interviews and showcases
I firmly believe that due to the level of polemics post 2001 and negative press of the Ngulu affair, the desire to highlight Congolese music died out. It has returned a bit in the 2020s, thanks in part to Fally’s and Ferre’s popularity
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these type of archives wont please fans of fally ferre or the urban artists who tend to think they have invented everything lol
Congolese music was getting a lot press from the French and American media between 1998-2001. Sadly a lot of the footage is not uploaded to YT/social media, although we are starting to see the footage’s being uploaded.
If my memory serves me correctly, I once read a page spread on Koffi in Le Parisien in the Bercy era
If artists weren’t so fixated on polemics and wasting energy making polemics VHS’ they could’ve gotten more exposure through connections with the Western press to get more interviews and showcases
I firmly believe that due to the level of polemics post 2001 and negative press of the Ngulu affair, the desire to highlight Congolese music died out. It has returned a bit in the 2020s, thanks in part to Fally’s and Ferre’s popularity
And even still, Fally and Ferre won't been seen being friendly to each other the way Koffi was with Wemba, Jossart, and Wazekwa. It's like pulling teeth trying to get these younger guys to play nice together