He talked about various things like his traditional huge praise to fally,his two recent big concerts of martyrs and adidas which were not crowded enough and he said that its because fally was tied down to a contract that he could not promote his event,otherwise he's sure there would have been more people
and that anyways its understandable that hall was not full because it had been a long time that he did not have a proper hot hit people were waiting to hear for the first time,for example fimbu had already gone through all its cycles during the concert ban,but he plans to go for halls again when album de mi vida will be out
he was asked about the question of children,and he said he thinks its the term of father which is a bit difficult for him,because they recruit talented people and there is a selection even before leader gets time to grow a particular relationship with some of them,so its difficult for him to agree with leaders being fathers because nobody takes in his band somebody who fits zero of the criteria they want(look good,sing well,play well if you are on instruments,dance well) so joss diena and co are not his children but just talented people who benefitted from his platform and he could obviously not resist digs at koffi almost saying clearly in that segment that now those who are the so called children are the big bosses of the parents,which will not happen in the normal children context and throughout interview he threw other ones here and there
he also supported werra's concert and said that congolese people should honour their generation because even if they are not at their prime anymore they deserve a lot of respect and gave example of johnny halliday in france who was still very respected until his 60's and playing at stade de france and so on
he talked about his band saying that they came with "tricky visas" which is why they did not return,and obviously many of them had left but some are coming back slowly to unite with others and the old cultura members who also participated on the album like pitshou concorde,bijou depaulga and co but the difficulty is that those musicians he came with are now for most fully settled somewhere in other cities,or some waiting for assylum in a center and so on so to organise rehearsals its way more difficult than in kin where just one message was enough to alert the whole band
