Author Topic: MMM FABREGAS INTERVIEW BY ADO YUHE  (Read 2926 times)

Manzambi94 on: January 04, 2019, 08:47

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I'll translate on memory he presneted himself as a songwriter in Wenge and Werra was so much impressed thatcalled Kakol and said that they have a new guy coming in, he started to work with Deplick on songwriting some of.the songs in Mayi Ya Sika especially Fanatique Na Ngai, his style his unique like Frank Lassan (this is not mentioned in the interview but Fabro inspire himself to Frank Lassan a musician who was putting a lot of comedy in his songs) he likes to put comedy in his music and he feels being.in Wenge was a special moment in his.life because he was blessed to be payed every month and even getting liquidation of 500 dollars (usually the medium monthly salary for singers is 100 dollars) by Werra when he left (kinda strange because afterthis he says that he left secretly Wenge by fearing Werra might hate hum because he left after Werra made a lot for him). He left because he felt an unexplained force that gave him the inspiration to composae a lot of songs, he would have two songs including a duet with Werra in a group album and that made him even more sad because he was fearing that Werra would think he was ungrateful. Luckily after a generique who was good (Tshimoke feat. Kimbangu & Equalizer) but not excellent in terms of success like Mascara.
Amour Amour, Anapipo, Je Pense and the grouo album Cursus proof that Fabregas did right to leave but he is even happier that Werra treats him like a son in fact he wants to record a video in La Zamba to proof everybody that Wenge his is own home.
Like Archis said the success of Francis Solution where the singers by BCBG had the chance to shine with great contributuin by Abraham, Nono Fudji and Djino scared Werrason that tried to counterattack by electing Deplick the new Fally (2 years prior to Francis Solution Fally was huuuge you could not go anywhere in the African Diaspora without listening to Fally) Fabregas as the Nono Fudji of the group and Cafe Rhoum as the new Djino, the system worked and Mayi Ya Sika was well received with the bind between Fabro and Deplick giving even more and more positive vibes to the Wenge experience at the time, at the Zenith Fabro really wanted to sing like Mirage Supersonic or at least have the same impact (making a great performance despite being between older and bigger stars) like Mirage was with Fally, Ferre, Soleil, but managed to impress with the Skol vocal sharibaribari also Fabregas wanted to impress despite being by the golden child Heritier, Capuccino, Taddet, Cafe Rhoum and Deplick the idea worked and this gave buzz to Fabro that also had the best song in Mayi Ya Sika which performed well in a duo with Deplick.
He praises his wife (lol after the Carine Mokonzi affaire) and then he is happy than now people in the street sing.the sing of But Na Fillet, Thierry Mugler, Dis A Match, and then Ado Yuhe asks how does it feel to stay in RDC and not going in Europe and manage to be successful, to become the leader after being an employee ans see that your employees now have luxury car nice houses thanks to you and Fabregas replies that it is beautiful to see But Na Fillet with 3 cars and kinda act funny when he buys the fourth lol or seeing BB Boutchou seeing with Mercedes with roof that can be took out to see Merveille Bastos and Brenda and other dancers having cars and being followed by chegue (street kids most of.them orphans who follow rich people around or peiole in general to have some money) Ado asks if the dancees are allowed to have relationship within the groups or relatiomshio in general.and Fabro answer that Villanova.is like family and is dirty to have incest in families (O.O what?) but beside that they have their life they have their rights and so on for examples Lionel Messi married recently Yves also got married also, they may got married but.if they want to get married they must do it on the spotlight like Linda and Kakol and not by being sneaky because he wants everyone to be there for the work.

And why does he soeak for the 80 pee cent of the interview in Feench? With a bad grammar also? ????????
« Last Edit: January 06, 2019, 21:47 by Manzambi94 »

archos #1 on: January 05, 2019, 19:33

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so it was really like i thought,i have been argueing for years with people over the fact  fabregas deplick and cafe roum trio was built to fight against fudji abraham djino who were on a serious rise in kin back then
if you take them one by one you'll see there are quite some similarities
deplick and abraham as the good singer,good looking and very liked by women
fabregas and fudji as the guys with a funny and original way of singing and acting
roum and djino as the guy who are not that good either in dance or in looks but have a voice which defends them

Franco Pepe Kalle #2 on: January 06, 2019, 02:30

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I like this interview. Fabregas is comfortable in his own skin. I hope Fabregas can use his confidence to try to reconcile Heritier and Werrason since he is in good terms with both of them.

Manzambi94 #3 on: January 06, 2019, 20:11

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I like this interview. Fabregas is comfortable in his own skin. I hope Fabregas can use his confidence to try to reconcile Heritier and Werrason since he is in good terms with both of them.
I don't think he should, Fabregas has his own successful group and his tours to do, Heritier is older than him and still acts like a baby despite being the one who had the most chance to shine in Wenge

JV “Lone Ranger” #4 on: January 06, 2019, 20:32

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There’s no sincerity in this interview, pure hypocrisy and fake

Manzambi94 #5 on: January 06, 2019, 21:44

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I'll translate on memory he presneted himself as a songwriter in Wenge and Werra was so much impressed thatcalled Kakol and said that they have a new guy coming in, he started to work with Deplick on songwriting some of.the songs in Mayi Ya Sika especially Fanatique Na Ngai, his style his unique like Frank Lassan (this is not mentioned in the interview but Fabro inspire himself to Frank Lassan a musician who was putting a lot of comedy in his songs) he likes to put comedy in his music and he feels being.in Wenge was a special moment in his.life because he was blessed to be payed every month and even getting liquidation of 500 dollars (usually the medium monthly salary for singers is 100 dollars) by Werra when he left (kinda strange because afterthis he says that he left secretly Wenge by fearing Werra might hate hum because he left after Werra made a lot for him). He left because he felt an unexplained force that gave him the inspiration to composae a lot of songs, he would have two songs including a duet with Werra in a group album and that made him even more sad because he was fearing that Werra would think he was ungrateful. Luckily after a generique who was good (Tshimoke feat. Kimbangu & Equalizer) but not excellent in terms of success like Mascara.
Amour Amour, Anapipo, Je Pense and the grouo album Cursus proof that Fabregas did right to leave but he is even happier that Werra treats him like a son in fact he wants to record a video in La Zamba to proof everybody that Wenge his is own home.
Like Archis said the success of Francis Solution where the singers by BCBG had the chance to shine with great contributuin by Abraham, Nono Fudji and Djino scared Werrason that tried to counterattack by electing Deplick the new Fally (2 years prior to Francis Solution Fally was huuuge you could not go anywhere in the African Diaspora without listening to Fally) Fabregas as the Nono Fudji of the group and Cafe Rhoum as the new Djino, the system worked and Mayi Ya Sika was well received with the bind between Fabro and Deplick giving even more and more positive vibes to the Wenge experience at the time, at the Zenith Fabro really wanted to sing like Mirage Supersonic or at least have the same impact (making a great performance despite being between older and bigger stars) like Mirage was with Fally, Ferre, Soleil, but managed to impress with the Skol vocal sharibaribari also Fabregas wanted to impress despite being by the golden child Heritier, Capuccino, Taddet, Cafe Rhoum and Deplick the idea worked and this gave buzz to Fabro that also had the best song in Mayi Ya Sika which performed well in a duo with Deplick.
He praises his wife (lol after the Carine Mokonzi affaire) and then he is happy than now people in the street sing.the sing of But Na Fillet, Thierry Mugler, Dis A Match, and then Ado Yuhe asks how does it feel to stay in RDC and not going in Europe and manage to be successful, to become the leader after being an employee ans see that your employees now have luxury car nice houses thanks to you and Fabregas replies that it is beautiful to see But Na Fillet with 3 cars and kinda act funny when he buys the fourth lol or seeing BB Boutchou seeing with Mercedes with roof that can be took out to see Merveille Bastos and Brenda and other dancers having cars and being followed by chegue (street kids most of.them orphans who follow rich people around or peiole in general to have some money) Ado asks if the dancees are allowed to have relationship within the groups or relatiomshio in general.and Fabro answer that Villanova.is like family and is dirty to have incest in families (O.O what?) but beside that they have their life they have their rights and so on for examples Lionel Messi married recently Yves also got married also