In the Congolese music-scene when a song is credited to an artist (auteur/compositeur) then it means that the text of the lead-singer and refrain are from the artist. The vocals of singers, melodies of the instrumentalists and cries doesn't count. The singers & instrumentalists comes with their own contents.
In the 80s, 90s and 2000s, the guitarists were coming with the instrumentalisation first and the atalaku then fiding somehing to fit in. But now its the opposite. Hence why alot of sebenes are flopping today. Since 2006/07, it are the atalaku's who are directing the guitarists which makes sebenes having to much transitions and breaks, because of the atalaku (Lobeso, Brigade, Gentamicine, Bercy, etc.) coming with "aaah rrrrrrrrr" and the lead guitarist having to stop with the rhythm guitarist and they keyboard-player taking it over.
By making a song they come first with the lyrics and the instrumentalisation of the song later. That's why Maika Munan, Souzy Kaseya and Sec Bidens were crediting themselves as composer of Papa Wemba songs, because of them coming with the instrumentalisation. Alain Makaba did the same thing on Anges Adorables volume 1 & 2.


The real songwriter of Voyage is Pascal Poba.
Voyage Mboso is seen as the best song of Wenge 4x4 and I think also that it is the best song, but I prefer Mon Ami Coboss of JB Mpiana and Tchatcho Mbala "Jugement par Defaut" of Werrason (which is about to not judge people from far, but to aproach the person and know how he is). The old generation was also liking Voyage, because they saw that it was the only song that made sense lol.
I think that Werrason's best vocal in Wenge 4x4 is the one he made in Coco Madimba "tolingana" followed by the one he did in Kaskin for his wife Mampata "ata ba tongi nga....".