His dancers showing at some point their tits and v*gina

Remember how Anya Star simulated a blowjob in front of an entire Stade des Martyrs? Madilu's dancers really went all out here and appealed to the audience's carnal tastes. Almost like they knew the men in the audience were horny as hell lol. There's wild dancing, and there's this. I feel like this was when Congolese dancers had started to heavily sexualise their moves.

londa londaaaa benga ba danseuse yebisa bango oyo nionso ekoyela bango na mutu basala,bakonzi bazali ebele awa
ah ngai papa na letiss nako nginda awa nayoki mawaaaaaaaa

Madilu will always be a legend, but would his career elevated to another level if he took a chance and brought his team to Europe? I know he feared they would run away, but how did Werrason and JB Mpiana manage to bring their team back to Kinshasa after multiple European tours?

Werrason wanted to make his singers known, but Madilu wanted to be he only star and liked to see how his musicians were suffering. He didn’t care about performing at Zenith, Olympia, etc. He just wanted to release his albums and please musiclovers with his songs.

Madilu would often abandon his band without money when going on tour in Africa, going back to Europe and those musicians fighting on their own to get back in Kinshasa. It’s sad because his band was full with talented artists like Pathy Moleso, Fofo Le Collégien, Volvo 840, Adricha Tipo Tipo, Babel, Rio Kazadi, Jeannot Ngidingongi,Mardorchee, etc.

Remember how Anya Star simulated a blowjob in front of an entire Stade des Martyrs? Madilu's dancers really went all out here and appealed to the audience's carnal tastes. Almost like they knew the men in the audience were horny as hell lol. There's wild dancing, and there's this. I feel like this was when Congolese dancers had started to heavily sexualise their moves.

That was at FIKIN, at Stade des Martyrs JB’s dancers showed their ass (on the end of the concert, public tried to rape them).

I wonder what the two dancers will think, if they see those images again.

Werrason wanted to make his singers known, but Madilu wanted to be he only star and liked to see how his musicians were suffering. He didn’t care about performing at Zenith, Olympia, etc. He just wanted to release his albums and please musiclovers with his songs.

Madilu would often abandon his band without money when going on tour in Africa, going back to Europe and those musicians fighting on their own to get back in Kinshasa. It’s sad because his band was full with talented artists like Pathy Moleso, Fofo Le Collégien, Volvo 840, Adricha Tipo Tipo, Babel, Rio Kazadi, Jeannot Ngidingongi,Mardorchee, etc.

That's very harsh, but it explains a lot! So Madilu was a bad hearted man? Or is it safer to say that his time in OK Jazz made him greedy when he became a solo artist?

I heard Franco rarely paid his musicians and members stayed loyal because they played for passion more than money.

There isn’t a bandleader of that era that paid their musicians they were all greedy, Tabu Ley being the worst of them all (the funny thing is that he left African Jazz  of Grand Kalle, because he wasn’t paid). In that era most musicians were doing music for passion, everything started to change from the 90s/2000s, when musicians wanted to get expensive cars and villa’s in ma campagne like the leaders of Wenge who were giving a different image.

Werrason wanted to make his singers known, but Madilu wanted to be he only star and liked to see how his musicians were suffering. He didn’t care about performing at Zenith, Olympia, etc. He just wanted to release his albums and please musiclovers with his songs.

Madilu would often abandon his band without money when going on tour in Africa, going back to Europe and those musicians fighting on their own to get back in Kinshasa. It’s sad because his band was full with talented artists like Pathy Moleso, Fofo Le Collégien, Volvo 840, Adricha Tipo Tipo, Babel, Rio Kazadi, Jeannot Ngidingongi,Mardorchee, etc.

That's very harsh, but it explains a lot! So Madilu was a bad hearted man? Or is it safer to say that his time in OK Jazz made him greedy when he became a solo artist?

I heard Franco rarely paid his musicians and members stayed loyal because they played for passion more than money.

Franco was someone who respected his musicians and appreciated his talents unlike most leaders. That was also true of Pepe Kalle. That is why Djodjo Ikomo stayed so long, as well as Elvis Kunku, Doris Ebuya, Kinanga Boeing 737 and Djouna Mumbafu. They knew that they had a leader with deep authorities.

Franco and Pepe Kalle were the best leaders of their ages. They were the ones who respect for their musicians.

Hmmmm according the late Edo Nganga, musicians like Josky Kiambukuta and Paul Ndombe, he would often not pay them well or not pay them which forced them to become gigolo’s.

Hmmmm according the late Edo Nganga, musicians like Josky Kiambukuta and Paul Ndombe, he would often not pay them well or not pay them which forced them to become gigolo’s.

There might some truth to that but remember Josky and Ndombe would return to Franco. Franco had his flaws but he always respected Josky, Ndombe, Ntesa and others. Now with Edo, it looks to me that Edo and Franco had a fallout. Why did Vicky did not become OKJ during the early days of OKJ or Edo himself? I will always wonder.

Because when they left for the first time, Franco went to the Hotel de la Ville to make Ok Jazz a marque déposé, which made him the only one to have the right to use that name. It made Vicky furious because he used to be the president.