Author Topic: Me who taught for years that Wemba's Zenith of 1999 dissapeared from youtube  (Read 470 times)

Mfumu Vata on: January 10, 2025, 00:39

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Me who taught for years that volume 1 of Wemba's Zenith of 1999 dissapeared from youtube, after that INA Congo's first channel getting closed for copyright. Only to discover that somebody saved the video and uploaded it 6 years ago, but the video being hidden.

I had an obsession with the intro and also the slowmotion-effect when  when Papa Wemba came on stage with the presentor screaming multiple times "Weeeeeeeeeemba".

So happy to see the part of Stino acting crazy after the sebene of MJ Ngoy back and Djanana looking like he lost his head on the back hahhaha and the moment of Wemba with Le Quatro, them kneeling down when singing Amazone, Gina Efonge jumping on the drum during the sebene, Evoloko dancing (ba souvenirs ya kitoko)

I hope to see volume 2 with Nouvelle Ecriture back one day. It's strange that both volumes are rare on the market. I wonder which label produced the cassettes.

Franco Pepe Kalle #1 on: January 10, 2025, 05:07

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Speaking of Stino Mubi. I know where he likely got his idea from. I am sure he was sent some videos of Michael Jackson doing his improvised solos on the song I'll be there. Watch when he cried and did his hehe cry. I will send you two videos.


These videos touched Stino probably and this is why he decided to do his own version of this act. 

Mfumu Vata #2 on: January 10, 2025, 13:51

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Speaking of Stino Mubi. I know where he likely got his idea from. I am sure he was sent some videos of Michael Jackson doing his improvised solos on the song I'll be there. Watch when he cried and did his hehe cry. I will send you two videos.


These videos touched Stino probably and this is why he decided to do his own version of this act.

That of Stino was next level hahahaha. It's only sad that the video is of bad quality. Stino tore his shirt, then started to turn, moving his head on the ground like he was on drugs. But Djanana not getting it, starting to do a shout-out towards someone living in Creil and then went to sit infront of drummer Maradona looking Stino like he lost his head hahahaha. I noticed that Djanana was often staying on stage, while others were giving Stino the space to do his things, after sebenes.

I regret that Stino didn't continue with music like Reddy after leaving Viva la Musica. He was a real showman and had a big potential. I don't understand why he didn't plan an event at Elysee Montmartre, Cabaret Sauvage or La Cigale, after multiple attacks on social media against Reddy for his Bataclan-show. When you attack someone you have to prove your worth by planning shows, releasing songs sand albums and not with insults and interviews that will be forgotten. But many artist sadly don't understand it.