Bibontran speaks about how his career and how most of his animations are sung by Brigade, Bercy, Kerozene, Apocalypse & CNN, claims he had a hard time in Quartier Latin as he was belittled by Fally, how Brigade is ungrateful and how Apoca is doing his animation without his permission.

Quiet interesting I don't 100% believe everything his saying by the interviewer should of left him time to speak a whole lot longer at least an hour.

He claims also Kene Kene, Sabena and Acide Wanzambi he claims are the worst.

Bibontran speaks about how his career and how most of his animations are sung by Brigade, Bercy, Kerozene, Apocalypse & CNN, claims he had a hard time in Quartier Latin as he was belittled by Fally, how Brigade is ungrateful and how Apoca is doing his animation without his permission.

Quiet interesting I don't 100% believe everything his saying by the interviewer should of left him time to speak a whole lot longer at least an hour.

My apologies CNN had nothing to do with it

he seems to be right even though sometimes the short time they had made him look a bit confused
a lot of things he said made sense,and what convinced me is the part when he talks about tony gattuso writing songs for koffi,
by the way today i was thinking about something similar, i have realised one thing recently about our atalakus
in the past one atalaku would create( or shegues in streets) and the rest will use it,now its maybe 3 4 guys in the underground creating their animation and selling to atalakus or being stolen it  from private rehearsals by pire petits of  the professional atalakus,a vast majority of atalakus in groups do not create anymore
they just "buy" from those guys,for example fiston yulu who did block cadenas,and works with most of atalakus in current groups

he seems to be right even though sometimes the short time they had made him look a bit confused
a lot of things he said made sense,and what convinced me is the part when he talks about tony gattuso writing songs for koffi,
by the way today i was thinking about something similar, i have realised one thing recently about our atalakus
in the past one atalaku would create( or shegues in streets) and the rest will use it,now its maybe 3 4 guys in the underground creating their animation and selling to atalakus or being stolen it  from private rehearsals by pire petits of  the professional atalakus,a vast majority of atalakus in groups do not create anymore
they just "buy" from those guys,for example fiston yulu who did block cadenas,and works with most of atalakus in current groups

Wow so when do you think this wave of non-creation came because I'm the monuments like Djuna or Somono made their own so are you saying for the past 7 or maybe 6 years animators do not create so how they get into bands looooool??? just curious to know???

they create a little bit but most of what they present  after their tests is done by guys underground
these days in kin you have guys who can "sell" full generiques to atalakus,with even sometimes the guitar licks(or at least a raw version of it)
it has become exactly like with singers,even guys who are naturally gifted at writing now buy almost full albums

they create a little bit but most of what they present  after their tests is done by guys underground
these days in kin you have guys who can "sell" full generiques to atalakus,with even sometimes the guitar licks(or at least a raw version of it)
it has become exactly like with singers,even guys who are naturally gifted at writing now buy almost full albums

I don't mind that at all it's actually easier but when professionals themselves create something the intelligence and the art is completely different to say the once come of the streets is bad but you know that there is a big difference but this new wave isn't to much of a big deal.