ANALYZING GENERIQUE
JE NE TE CALCULE PAS
VIDEO
I think is one of the best videos ever made in 2010-2016 period a ten for the concept and the idea of it, is very coloured, and the murales on the back give a little bit of street credibility with the guys in the windows clapping and dancing. All the squad is dress good but not in excessive way or expensive way but really calm and lay back the bad thing is that they are too much people in the video so you can't give enough space to everybody except the atalakus and papa Cherie himself.
By the way the four new dancers are smoking hot give me their number or their fb
Vote of the video 8.5
MUSIC
This song is what I called an evolution of the music, it starts with a classic guitar, the bass and hi hat by the drums section, along with synthe, and mbonda in the second part. Then there is the switch Electric guitar, heavy drumming and bassing, with mbonda, synthe and Ngongui creating a perfect harmony. Tolbert says he listens to a lot of old majestic songs and you can seeing it on his touch, his partition remind me of Wenge Musica before the division but with a kind of evolution. The first songs from Wenge (JB Mpiana part) on solo were following a lot emeneya songs and Tolbert kinda came with his own style but having the Wenge taste.
Vote of the song: 10
ATALAKU
FUSÈE DE GUERRE 56% 01:38 - 04:12, 05:16-06:05 154 + 50 = 204 seconds
GENTA 26% 00:42 - 01:17, 04:12-05:16 35 + 64 = 94 seconds
MATELO PAJO 18% 00:00 - 00:42, 01:17- 01:38 63 seconds
FUSÈE: What else I could say about this guy? Nothing more, he cane with his own style of animation following his idol Caludji and being schooled by Genta this is only a little flesh of what he is capable of BDM is his album, what I don't understand is why he had to wait seven years to have his own cries. Vote 10
GENTA: He keeps doing that funny Kalonji voice ruining his natural one, he keeps insisting on this synthè after 5 years from Biloko, but that guy has something special, I watch him live at one of his performance, and when he sang that crime "Mboka kitoko eee ovandi na yango zala mayele, Papa Chere abotama awaa" I understand why he is still one of the best Congolese atalaku, I know he tried to look his replacement in the atalaku section with Cellulaire before and then Ben Laden and Matelo, but now he can sleep at night knowing that there is Fusèe. Vote 7
MATELO: This guy is a complete atalaku, knows how to make cries and never come with silly or sexual cries but always measured and in an Intelligent way, speaking about Wenge and bringing to life popular/traditional chant, he is a good an excellent avant-gout (preview) for Fusèe in this song, what I don't understand is why he always have small space, he is not lazy he always have two or more cries per album since he came in Quel Est ton problème, but never gas the chance to make powerful cries. He is one of my favourite atalaku listen him here in the 2 generique of Je Ne Te Calcule Pas on that "E changala Marie Kiteso ChangaChangalalachanga",
really good. Vote 8
