Amazing; you read my mind. Was about to post the same topic. 1999 was really my favorite year in terms of releases. In honor of the 20th anniversary, I’ve played all the albums constantly as of late. Really hard for me to pick the best, but do think June 1999’s release of Wemba’s M’zee Fula Ngenge was a strong influence on the later releases. I bought the Attentat CD and Solola Bien in at the record store early 2000. Make the mistake of buying “Version Radio” of Attentat. Both CD’s were in my walkman/car rotation for months. Some time later I bought Shalai I was in complete shock how perfect the sound was. Roga Roga told Martin Sinnock on his old site that the sound was to be very different from previous work. It had a “l’an 2000” sound. My dad introduced me to Wazekwa’s Sponsor, Benz Petrole’s works, and Lutchiana’s Chinia. My mom introduced me to Pouvoir, with “Faute Ya Visa” and “Si je savais ça” being her favorite songs. Attentat was the first album I was able to follow from conception, to preparation, and release late in the year. We bought all the repetition VHS’ that year. It was so highly anticipated and Koffi was on a different level in terms of popularity at that point. As you mentioned Sanction, Droit De Véto, Bana Congo, La Guerre de 100 ans, Tremblement de terre, etc came out early. People with also listening to JB’s Zenith and pre-TH EP and Koffi’s Olympia CD was in circulation early in the year. If only I had a time machine...
Droit De Veto came out at the end of November in 1998! Right after Zénith and Olympia.
Not many would notice that throughout the last few months of 1999, JPS Production released the greatest Congolese album streak ever under a single label. From Pouvoir (JPS43) to Sponsor (JPS52). This has to be the most productive period for Congolese artists and their output. Solola Bien blew Werrason and Maison Mere up and made them worldwide stars, Madilu released his biggest song that year, Academia briefly troubled their elders with Sanction, Koffi went all out when promoting Attentat in the lead-up to his Bercy show. I may have been only two at that time, but I know that late 1999 must've been a time to be alive if you were a lover of Congolese music. This streak really kickstarted the new millennium.
Quote from: SLK97 on December 08, 2019, 18:55Not many would notice that throughout the last few months of 1999, JPS Production released the greatest Congolese album streak ever under a single label. From Pouvoir (JPS43) to Sponsor (JPS52). This has to be the most productive period for Congolese artists and their output. Solola Bien blew Werrason and Maison Mere up and made them worldwide stars, Madilu released his biggest song that year, Academia briefly troubled their elders with Sanction, Koffi went all out when promoting Attentat in the lead-up to his Bercy show. I may have been only two at that time, but I know that late 1999 must've been a time to be alive if you were a lover of Congolese music. This streak really kickstarted the new millennium.You forgot Diblo Dibala's Pas moi (JPS37)
Quote from: Matebu on December 08, 2019, 18:49Amazing; you read my mind. Was about to post the same topic. 1999 was really my favorite year in terms of releases. In honor of the 20th anniversary, I’ve played all the albums constantly as of late. Really hard for me to pick the best, but do think June 1999’s release of Wemba’s M’zee Fula Ngenge was a strong influence on the later releases. I bought the Attentat CD and Solola Bien in at the record store early 2000. Make the mistake of buying “Version Radio” of Attentat. Both CD’s were in my walkman/car rotation for months. Some time later I bought Shalai I was in complete shock how perfect the sound was. Roga Roga told Martin Sinnock on his old site that the sound was to be very different from previous work. It had a “l’an 2000” sound. My dad introduced me to Wazekwa’s Sponsor, Benz Petrole’s works, and Lutchiana’s Chinia. My mom introduced me to Pouvoir, with “Faute Ya Visa” and “Si je savais ça” being her favorite songs. Attentat was the first album I was able to follow from conception, to preparation, and release late in the year. We bought all the repetition VHS’ that year. It was so highly anticipated and Koffi was on a different level in terms of popularity at that point. As you mentioned Sanction, Droit De Véto, Bana Congo, La Guerre de 100 ans, Tremblement de terre, etc came out early. People with also listening to JB’s Zenith and pre-TH EP and Koffi’s Olympia CD was in circulation early in the year. If only I had a time machine...Solola Bien in december 1999