Author Topic: Mr. la Rumba interviewing Djudjuchet Luvengoka  (Read 412 times)

Mfumu Vata on: May 18, 2026, 17:21

  • Hero Member
  • *****
  • Posts: 6841
  • Karma: +21/-3
    • View Profile

archos #1 on: May 19, 2026, 12:09

  • Mighty Member
  • *****
  • Posts: 23344
  • Karma: +60/-26
    • View Profile
now i understand why kibuisa had a strong cameroonian influence on some songs,i know guy nsangue and co played but they never brought such a strong cameroonian influence on those albums of wemba reddy koffi and co that they were also playing,waka waka is even literally makossa,now that i learn that ya djudju's dad is from cameroon it makes more sense,along with a bit of bikutsi flavour in droit chemin and the songs he played in A2BM
haha mr la rumba looked a bit embarassed when ya djudju started to big himself up too much,but i guess it comes from the fact he feels he does not get the recognition he deserves
he'll be either very insulted by fally fans and jesters for his revelation,or there'll be a PR move by coco or eddie or somebody like ika,with then an interview of appeasing people

Mfumu Vata #2 on: May 19, 2026, 20:44

  • Hero Member
  • *****
  • Posts: 6841
  • Karma: +21/-3
    • View Profile
I don't think that Pepe Felly Manuaku will be happy with this interview. I thinking and wondering alot of stuff about Grand Zaiko and Victoria Eleison, but I will not write it here otherwise people will use my long questions as information to write articles for their instagram-pages to get alot of likes and reactions without crediting Congovibes as source

I saw a page of Ferre-fans on Tiktok using a part of Djudju's interview to attack Fally

I was dissapointed with Djudju's interview. The "me" came to much back and there some parts that I don't believe. I am wondering if it's his age or if he maybe became ill. I also felt like he grew up in a family that had a superiority-complex towards black people, what some mulatos had in Congo during the colonial days. Next to mentioning Cameroon, it was not clear for me if he what the roots of his parents were when he talked about his place of birth, what his family used to do and his theory about African Jazz birth. Are his parents from Congo-Brazzaville, Angola or DR Congo. I didn't like how he said that people coming later in Kinshasa came from Zambia, Burundi, Rwanda,etc. It's true that the people living in Kinshasa came from elsewhere (provinces), bawuta like people in Kinshasa say but they are not foreign.  About him talking to African Jazz, I don't think that we'll know the truth, because they all passed away. Most bands that that we know in Congolese music history weren't founded by the bandleaders. I don't believe that outside Grand Kalle Jeff, there were former musicians that explained on television how African Jazz got founded. Also at that time they hadn't the mentality to openly say on tv about x being originally written by y

Emeneya often liked to call or expose Koffi on tv for being a thief and acting like he was a saint. But he did basically the same, by doing what he did to Djudju after Abeti's Zenith. It's sad that Otis and Malembe Chante passed away. I would like to hear their versions about their time within Victoria Eleison. Malembe Chante did several interviews, but didn't do interviews people like Mr la Rumba and Mbuta Likasu who have more knowledge about our music, which leaves a untold stories and questions unanswered. We will never know for example about the origin of Malembe Chante's Select Musica.

It seems that Malembe Chante left Victoria Eleison several times to return in no-time. Was Victoria Eleison's concert of Tshikapa the same event that late Mopero was talking about in his testimonies ?

« Last Edit: May 19, 2026, 20:49 by Mfumu Vata »

fre.lussende #3 on: May 19, 2026, 21:36

  • Newbie
  • *
  • Posts: 21
  • Karma: +0/-0
    • View Profile
I will not write it here otherwise people will use my long questions as information to write articles for their instagram-pages to get alot of likes and reactions without crediting Congovibes as source



In the last month, I saw an Instagram-post about JB’s song Hi-Ho-Ha, and I looked in the description and directly recognised your clarification about the album “Les Anges Adorables” without crediting you or Congovibes sadly.

Anyway, Djujdju is indeed a very great drummer, but he didn’t have to act like that. Hopefully in a second part, they will talk more in details about his collaborations with other artists.