Author Topic: WHEN BILL CLINTON WAS THE KING OF THE ATALAKU AND ALL AFRICAN ANIMATION  (Read 5768 times)

mampenza on: March 27, 2016, 12:31

  • Sr. Member
  • ****
  • Posts: 421
  • Karma: +1/-0
    • View Profile
This is one of my favourite song of all time, no need for introductions
« Last Edit: March 27, 2016, 12:39 by mampenza »

SLY PAPA NA KEVIN #1 on: March 27, 2016, 17:18

  • Administrator
  • Hero Member
  • *****
  • Posts: 6969
  • Karma: +9/-3
    • View Profile
.....and he remains the King of atalukus to date,his generiques and albums may not be exceptional but the animation is on point.
LE BIG BOSS

mampenza #2 on: March 27, 2016, 17:44

  • Sr. Member
  • ****
  • Posts: 421
  • Karma: +1/-0
    • View Profile
.....and he remains the King of atalukus to date,his generiques and albums may not be exceptional but the animation is on point.
SLY I have been and I am his fan since I started to hear music but, these days generique Wumela and stroboscopie, are not matching his huge legacy and huge animation sense. It is like he overplays sometimes, when he could do simple.
For example we all know Kimbangu ok? Guess where he was before of Werra from the Bill side, and he done excellent solo even there but people weren't knowing him even though he had Bill on his side, because Bill put to much things, I am still waiting after bompikiliki a generique that can match his legacy. He made other good generique like kizoba zoba and balle perdue, but if you put that in confront of Solola Bien, Operation Dragon or A La Queue Leu Leu you can see something changed in bad

SLY PAPA NA KEVIN #3 on: March 27, 2016, 17:58

  • Administrator
  • Hero Member
  • *****
  • Posts: 6969
  • Karma: +9/-3
    • View Profile
The message and arrangement of the animation is what am on about otherwise yes,his style has changed since he became a solo artist and it's mainly because when he was in Maison Mere,there was input from the rest of the band but it's now likely that he commands everything himself,he has no one to direct him.
LE BIG BOSS

mampenza #4 on: March 27, 2016, 18:07

  • Sr. Member
  • ****
  • Posts: 421
  • Karma: +1/-0
    • View Profile
The message and arrangement of the animation is what am on about otherwise yes,his style has changed since he became a solo artist and it's mainly because when he was in Maison Mere,there was input from the rest of the band but it's now likely that he commands everything himself,he has no one to direct him.
Well, I think that his level drop is due to the fact that he is relayed to that Skol contract, and even the fact that he was the hottest atalaku once he got out from Wenge and he is almost like JB Mpiana in the marketing zone, he just thinks I am the best of the atalaku I don't need to prove anything to anyone, but doing like this he is killing himself, and now as you see the Bill Clinton Wannabe like Kabuya (deserved) and Bercy (really undeserved spot to me in Wenge) are starting to be more liked by people, and even though I'm happy for Kabuya it breaks my heart seing Bill with just 60000 views or not getting enough credit, while guys like Bercy Muana and so getting interviews recognition and so on

Jdog #5 on: March 27, 2016, 19:30

  • Hero Member
  • *****
  • Posts: 8840
  • Karma: +15/-11
    • View Profile
Bill has never had the top animation or generique since he's left Les Marquis.
Or moto asala le monde eza yo Nzambe tata, Kita okata po mokili trop matata, kata- Fally Ipupa

Congomusiclover001 #6 on: March 28, 2016, 15:43

  • Hero Member
  • *****
  • Posts: 574
  • Karma: +3/-0
    • View Profile
This is one of my favourite song of all time, no need for introductions


When the Book Congolese of Animation is written, Bill's Kalonji's name should be in the top 5 in the Modern Atalakus (Post-Zaiko) section. And he should be the Number 1 in the falsetto section (in my opinion)

mampenza #7 on: March 28, 2016, 16:48

  • Sr. Member
  • ****
  • Posts: 421
  • Karma: +1/-0
    • View Profile
This is one of my favourite song of all time, no need for introductions


When the Book Congolese of Animation is written, Bill's Kalonji's name should be in the top 5 in the Modern Atalakus (Post-Zaiko) section. And he should be the Number 1 in the falsetto section (in my opinion)
Yes him, Ekokota, Tutu Caludji are the atalaku that really brought a higher level on the post zaiko Era, if we have guys like Kabuya, Fusèe and so on it is thanks of them what I really don't understand is why Bill can't put thing like that anymore, He can do it but he is too much chill