I think Kaniaka has way more meaning than a diss to Fabregas, for the non lingala speakers talks about betrayal and of all the people that you have helped but didn't gave anything in exchange. But if you take a clorlser look you can feel that this is almost a song about Congolese society and African society never grows up, in every group, even in the Fally's one which I taught was very well organised, democratic and heartfelt there are some very big jealousies. There are some phrases that remained stucked to me like "Chinese people are taking over the world, Even animals can group togheter for something, but us people (meant like Congolese) are driven by Kindoki (witchcrafts) and jealousy. And I think he is right, I mean if African society doesn't change things will get worse and the music it is a reflection of the society. There is not even a single group between the one who are on the verve where the Chef D'Orchestre is not a hated man/or woman check MM with Kakol being credited for most of the departures Cindy who basically doesn't give space to anyone or the famous guy of BCBG who made fallout Chai (Almost like a son to JB) and JB or made Metrau a simple kid who were only singing loose an eye. Aren't leaders, chefs and people tired of this situation? I finish saying that Kaniaka and all the Fabregas Ibrator thing is a perfect picture of Congolese society unfortunately at his worst
Yes the video is over sexualized with Koffi playing the part of the guy in a Harem made by the dancers but I think that the song like the video is about contrast, contrast between the female singing choir and Koffi which in the Audio version does the mabanga, and contrast against between Gessac and the Female Atalaku with a L'Or Mbongo Voice especially the contrast between her very strong religious spirit and the video in itself I think this is one of the many perfect video gave us but of course not at the level of V-12
Absolutely no sense of rhythm these guys has absolutely no idea of what they are doing when they are dancing Eboa & Cafe Rhoum @ minutes 4:01 - 4:03, with Cafe Rhoum always checking at his left to see ifnhe matches the choreography and @ minutes 4:17 - 4:30 with Eboa having absolutely no idea of what to do I have laughed hard I know I was wrong to laugh but come in at lesast try
And then the champion of the guys who really do not know how to dance Celeo after this memorable crowd calling his name he rips his shirt off and just go around and smiles but really don't dance @ 7:32 - 8:13
And again he give a memorable following of the waynhe dances in another live exhibition in the Sous-Sol era @7:27 -7:52
You can love or hate Fally, being a fan or not being a fan but you have to recognize that he is the only Congolese guy who is breaking barriers after Emeneya and Koffi, Emeneya was very strong in Japan while Koffi really broke the barriers in a lot of African countries but Fally is slowly becoming worldwide, for the people who doesn't know Clique is a YouTube channel where people mainly French but even internationals famous one are getting ng interviewed over their career in life, man I wish all the Congolese artist could take the same road of Fally
Wow Lobeso almost lost all the members, I think the reason is simple absolutely no money, how can you start a career when you aren't able to pay and I think that what got people tired of Lobeso is the fact that he is too much of a temper bad temper guy Anyway the guys are saying that Elvis steal their cries and uses all the cries of Wenge MM especially the one from 7 Jours
I really don't understand why BCBG's group is not rebelling against the evil Administration. How can Gemta, Fi-Carrè, Zulema and the other big guys in BCBG accept everyday the furious administration and treatment they get? Especially Genta and Fi-Carrè since they are very close to JB, Genta like a Son and Fi-Carrè like an older brother? Maybe some of you who have lived in Congo and have been or have lived the atmosphere of the bands can help me understanding, because being a European guy I really can't understand how guys so much talented and old can accept the ways of this guys. Because they do that (JDL and co.) because they know how weak they are without their role.
I really don't understand why BCBG's group is not rebelling against the evil Administration. How can Gemta, Fi-Carrè, Zulema and the other big guys in BCBG accept everyday the furious administration and treatment they get? Especially Genta and Fi-Carrè since they are very close to JB, Genta like a Son and Fi-Carrè like an older brother? Maybe some of you who have lived in Congo and have been or have lived the atmosphere of the bands can help me understanding, because being a European guy I really can't understand how guys so much talented and old can accept the ways of this guys. Because they do that (JDL and co.) because they know how weak they are without their role.
It is a quick recap of his appearances, concerts, and interviews as a member of Maison Mere between 2005 and 2010 it starts with the line he sang in Danger De Mort and then ends with Sima Ekoli, furthermore there is an interview where he is answering back I think to Caludji and all the BCBG since they were attacking him, the other fun facts are the rehearsal where he performs his popular crime Afula Tala The on Sous-Sol with live interview on the rehearsal by journalist, he invented the famous dance that Wenge used to perform a lot the one where guys fall and then acting like you are a witch you bring them to life you can see this dance from the minute 2:29
By the way is name is Guelor Rwinga Dirango but you know him well like Brigadieraaaaaa Sarbati
By the way those dances, those shows, are the reason why MM still to this day is so credited as the best group ever I'm history
Neta Mukendi mama na Davina listen to the mabanga at 01:02 by Celeo, the whole thing is bizarre because Ferre seems the opposite of the bad dad figure Davina pointed out by seeing how he usually treats his kids and if there is bad blood why Celeo would have said a name like that in a feat with him? Very strange situatiom