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Topics - archos

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For the second time ever,if i remember well,after performing "together" in nigeria,werra and ferre are set to perform on same day and same stage in private concert for obiang nguema family
i really hope that it will not be an occasion to revive tension,sankara had been getting on some people's nerves by suddenly making u turn about ferre again and running his mouth about the dynastie project being interview by warrior journalists who have always felt very insecure about ferre making peace with werra,and hopefully it does not fuel some tension
we've seen already how it ended when back in the days ferre just did what he was taught by werra in doing some banter about francophony or something like that concert,how it went from that to trying to destroy his band,then going on his private,then marchouse and vasco countering....please not again

« on: August 02, 2021, 22:33 »

after decades of supremacy in african with our music,congolese music has started going down while some other music were and still are for some on the up
and it seems in order to survive our artists chose either to team up with them or to try and copy them, and try to INDIVIDUALLY i insist on individually because in the prime of our music,our music was so strong as a collective force that even the guy considered the 20th biggest artist in congo of the moment was having tours here and there and having a good career
nowadays it seems we've made the fight to be back were we belong more of a "who is putting congo on the map of african music" or who are the few of a rotten and weak congolese music to emerge overseas
but i genuinely think from the bottom of my heart that both artists and most fans are not asking themselves the most crucial question
how to make congolese music dominate africa again and not how music made by congolese people will eventually be represented up there with stars of other countries
i think most musicians are neglecting more and more what is congolese music
there has been a slight effort to reintroduce a bit more some guitars by some artists on rumba but its still for most some "overprogrammed" stuff on albums of 20+song,when programming sometimes "takes out the soul of the song"compared to either accoustic guitar or true ,and i have also complained about that in the past,there is an ever growing lack of danceable rumbas,when i mean danceable rumba with a tempo which can kind of set a tempo for moves not just pick a girl a hold her until the song is over
just look at madilu's career,how he was undroppable on parties weddings VIP events of authorities
as for generiques we could try to create many many many things,for example every of the big names for one year or two all deciding to start the first two three minutes in whatever of the folks we have(kintueni agwaya bonioma mutuashi makuandungu and co) then serious sebene,i think we'd send a bigger message than what we are doing right now
also we can revive sebene songs,it would force guitarists to look for partitions atalakus to be more creative...and it will ALWAYS have that appeal of "i dont understand what they are saying but the dancing part made me jump off my seat"
we currently have some cases of guitarists who have not even participated on more than 6 songs outof 30 because of that desire to be "modern" and up to trend
but instead  of having musicians under pressure to be creative ,now leaders even want more and more to be the center of everything
soon we'll have artists who claim that they are doing the whole albums on their own including the programming and all that since our music is losing more and more its essence of strong unit of exceptional talents and edgeing more and more towards a music of egoistic self-proclaimed genuises finding individually for the own brand

For those who like checking views this is quite a "scary" one,nearly a billion on two clips alone including a radio appearance


Yet to  watch in full but from the intro he talked about how pepe kalle's traditional power got removed by the chiefs in front of his coffin and not passed to either dilu dilumona or papy tex because for him they lacked that charisma to be leaders of the remaining group,and he said papy tex was not liked bymusicians when he wanted to take control of the group the day he came a dancer collapsed
he went on like papy tex and did not like him and that he benefitted nothing from cocktail with the sudden death of pepe kalle
and when lofombo and djuna went to create delta force he told lofombo that their project would succeed only if empire totally collapsed
when pepe kalle died,lofombo djouna united with late pepe kalle's wife and primus admins called for a reunion to see how things would go after pepe's death,and they told dilu that the camp of lofombo djuna and the delta force guys said that dilu forced  them out and thats why he says that dilu lacked leadership because a true leader would not have handled it that way
when pepe died,dilu told musicians in a rude way that he was not liking the way the group was operating while it was how it was when pepe was alive and that allegedly he said whoever is unhappy with the decisions he made as the new leader can follow pepe in cemetery if he wants and dilu seemed happy with the split  and was saying that its God's plan and he asked to speak  and said its from his idea that the generation of lofombo papillon and co arrived in the guitar section,and he suggested also to pepe kalle to recruit new singers because the singers lineup apart from the 3 leaders was weak and unpopular,and  pepe had named him vice-president of empire bakuba,so he is strongly against split and asks for dilu to accept them back without any conditions,as dilu wanted to restart tests for them all
djuna who was already determined to leave and become a bigger chef on the new side they'd create stood and acted like he wanted to beat him and he told him approach and you'll see what will happen
haha the story of thatreunion reminds me of 4X4 split
when dilu remained as the president and primus maintained the contract,dilu allocated the rehearsal hall and instruments to a church so musicians when coming to rehearsal were surprised to see that there was church(reminds me of lofombo saying vieux dilu catholique moko nanu namona te) when they were supposed to rehearseand the bralima chiefs were informed and that came to give order that he gives presidence of the group to him boeing and things were bouncing back well then papy tex arrived and a bad atmosphere came back again and papy tex decided on his own to make interview with musicians like shella mputu,kalo bass and co saying  that he'll  bring them to europe while many of the members he found were not aware
papy tex wanted to get rid of the guys he found as longterm empire members so that he has full leadership on the younger ones like shella kalo and co and he suggested  tex that they should change the name of the group since that name had spiritual power linked to pepe kalle who was made traditional chief by the kuba tribe guys and neither tex or dilu inherited that power
the traditional chefs called him and dilu(before tex arrived) and asked who would accept it and both were scared and left
so him boeing decided to prove tex a point for the way he came and wanted to get rid of everybody to remain with new members by creating empire fondation and he  remembers a fikin event where koffi was performing for vodacom jb had to perform with primus but he was in angola so they stepped in and had great success and were produced by jps and they went to europe to record and shoot clips with the plan of performing at stade des martyrs at their return whether its full or not but once in europe singers started to rebel thinking he was getting big money andnot paying them,while according to him he was sacrificing for them before they'd return and sign lucrative primus contract

i was talking minutes ago with my big bro back in kin who is mbuta kiss second assistant and a couple of friends in a conference,and we were argueing about jb's career,as usual compared to the other big 4 members
most  went either for his loss of motivation due to early big money making and success,or for his visa issues,or for his family issues
and i raised something i have sometimes thought about  and this was my thought
papa wemba through multiple massive departure waves and had to take a challenge to resist,werra went through two big waves of musicians leaving,having him to take the challenge to prove that he can assemble again a strong maison mere,being already a guy whose post wenge 4X4 career was fuelled by the challenge of bouncing back
koffi had to face the wave of academia and the wave of ferre's arrival(even though it  lead to radical choice but still it was challenge for him to prove he can exist after them)
when i talk about adversity and jb i am not  talking about his rivalry with werra but finding himself in a challenge regarding his group
it has never happened,all those who left bcbg either left because he did not mind them leaving for his authority,or because they left and the week after it was already forgotten almost,no matter how influential the person was(perfect example is alain mpela,any of the other big 4 guys would organise reunion after reunion,make plans of poaching a guy from rival group to make up,but in bcbg it just went smooth
so i think the fact he never found himself under pressure to do something to save his group lead to all those holes  in his image especially with europe young fans,as he never felt the pressure to adjust to demand of young fanbase in a reshaping process
unlike all the other big 4 members who all had to look for profiles of artists to recreate a collective image after losing against their will many talents

« on: July 30, 2021, 15:05 »

This sounds like a title to be on a universal mixtape like il faut danser comme ca

« on: July 30, 2021, 08:38 »

For his third time,heritier will be performing a private concert in ivory coast tonight

it was back in 2007,there was a series of test(including one of the guitarists of the group i tried to manage who almost got  killed in an accident the same night after failing his test) and there was a singer who came for test
when he stepped on stage,he was singing normally for a few seconds when checking  his voice before being handed the microphone properly,then when he got the mic he could not sing anymore       
then he said "bana maison mere ehh " la zamba  responded "ehhh" he then added" oyo kindoki te,they responded "kindoki" oyo koloka te "koloka" having most of the musicians rolling laughing like on roi david test except heritier who gave him a tap on a shoulder to motivate him,capuccino who passed by and said something into his ear,and there was one singer standing serious with sarcastic nervous laugh while the crowd started shouting "bimaaaaaaa"forcing the guy to leave stage
then later i got told whether its true or not that it was that singer who was stood on his spot in front of synth√©  who did that to block him joining
i say funniest  because first it started like one of those random failed  tests which were making even werra himself laugh,but i felt bad for how the guy got humiliated


He says he set himself the target to ruin a certain artist but ironically says that   now he regrets because that artist is finished
and  that   he can ruin  any artist if he decides to be  on their back,he does not stop  easily until  he succeeds


tata has lost his mother emerance salafani ebondja,who passed away in brussels


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