QL of Fally and co would stand the highest chance of regrouping with a killer show...

With Fally's current status, he would have to be super humble to stand on the same stage with Bouro, Soleil, Montana, Gibson Cardinal, and the guy with the shaky voice now in zaiko, and all of whom had failed CDs and musical careers. But never the less, I think it would still be one of the best shows ever if Koffi could get them all together one more time.

I think it would bruise their egos big time...

QL of Fally and co would stand the highest chance of regrouping with a killer show...

With Fally's current status, he would have to be super humble to stand on the same stage with Bouro, Soleil, Montana, Gibson Cardinal, and the guy with the shaky voice now in zaiko, and all of whom had failed CDs and musical careers. But never the less, I think it would still be one of the best shows ever if Koffi could get them all together one more time.

Reminiscent to this...

QL of Fally and co would stand the highest chance of regrouping with a killer show...

With Fally's current status, he would have to be super humble to stand on the same stage with Bouro, Soleil, Montana, Gibson Cardinal, and the guy with the shaky voice now in zaiko, and all of whom had failed CDs and musical careers. But never the less, I think it would still be one of the best shows ever if Koffi could get them all together one more time.

Reminiscent to this...

Ahh felly tyson !

All soloists learn from and often borrow from others, but what I am saying here is that even those catchy riffs are not his creations ,which explains  why ( minus the ghost creators) he is not making much noise.

Which riffs and who was the so called ''ghost creator.'' Ghost creator or not, Flamme Kapaya is an icon of congolese soloists out there whether he is in work now or not. Flamme Kapaya has never gone on video boasting about what he creates ,he has stated who inspired him and who polished up his skills(one who is his older brother Zing). That boy you praise so much, Arc en Ciel gives a lot of respect to Flamme Kapaya and Patou Solo whom he considers some of the best and inspire him so how a fan of Arc en Ciel like you would say Arc en Ciel is better than Kapaya is simply absurd.

All soloists learn from and often borrow from others, but what I am saying here is that even those catchy riffs are not his creations ,which explains  why ( minus the ghost creators) he is not making much noise.

Which riffs and who was the so called ''ghost creator.'' Ghost creator or not, Flamme Kapaya is an icon of congolese soloists out there whether he is in work now or not. Flamme Kapaya has never gone on video boasting about what he creates ,he has stated who inspired him and who polished up his skills(one who is his older brother Zing). That boy you praise so much, Arc en Ciel gives a lot of respect to Flamme Kapaya and Patou Solo whom he considers some of the best and inspire him so how a fan of Arc en Ciel like you would say Arc en Ciel is better than Kapaya is simply absurd.

Yup is was absurd until he sent Japonais, Daddy Bola and Mongratana packing btw here's one of the ghosts...

And this is why Arc never played Flamme's riffs to win and stay on the helm...

why do you like this kid so much  he's not even that good compare to the other soloists out there

why do you like this kid so much  he's not even that good compare to the other soloists out there

You seem to have your mind made up that he's no good; maybe we should start with you backing up your stand with hard evidence...

why did popolipo left quartier latin

why did popolipo left quartier latin

Because his ex'big friend Koffi left him behind in Kinshasa, when they wanted to perform at Bercy. Koffi left him behind, because he wasn't happy that he invited his rival Emeneya and guys like Pathy Bass, Somono Dolce and Bouro Mpela(who just started Academia) on his solo album Alerte Rouge. Since that day he never spoke to Koffi again and Koffi still regrets his depature because he contributed alot in Quartier Latin, Koffi 's carreer (even before Quartier Latin), Tcha-Tcho/Zebola rhythm(along with Do-Akongo) and he coached guys like Felly Tyson, Lebou Kabuya & Rocky Blanchard before becoming big solists and bassist.


from 14:25 min he explains in details the reason what Koffi did to him before to left him behind in Kinshasa with Do Akongo

 tindika tia cale i also heard from vieux popolipo in another interview that  koffi kicked him of the house he was living in(which is "normal" given how congolese musicians deal with falll-outs)