Author Topic: The spot for Koffi's Nyataquance  (Read 7452 times)

Jdog on: February 12, 2017, 19:29

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The coupe Decalle has to stop
Or moto asala le monde eza yo Nzambe tata, Kita okata po mokili trop matata, kata- Fally Ipupa

archos #1 on: February 12, 2017, 19:42

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 koffi really knows promotion,credit to him for that,curious to hear the two songs adada sold to him
greco and co showed he is promising

Jdog #2 on: February 12, 2017, 19:55

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I just found out yesterday that Adada did some guitar work for Koffi and that he gave Lifobo and Greco to Fabregas.
Or moto asala le monde eza yo Nzambe tata, Kita okata po mokili trop matata, kata- Fally Ipupa

Matebu #3 on: February 12, 2017, 21:45

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Wow, so he actually make a physical return to Mamie Ilela's show


The coupe Decalle has to stop

Unfortuately, its the cost effective way of making music. This is the problem I forsee with all these guys establishing their own studios - they are now the ultimate arbiter of what is good music, no more top level arrangeurs. The arrangeurs they are employing now are too afraid to tell the boss the music is rubbish

CM PRINCE #4 on: February 12, 2017, 23:05

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The coupe Decalle has to stop
I've been saying this for years the decalle crap is annoying we need pure sebene back from our artists

Seben_Maniac #5 on: February 12, 2017, 23:42

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Matebu #6 on: February 14, 2017, 01:32

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 ;D


These days I have zero expectations for albums. Waiting for the 2 or 3 albums per year that pleasantly surprises me.

JV “Lone Ranger” #7 on: February 14, 2017, 02:36

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Rien de nouveau...same monotonous rhythms like Marchouse described, clip wise we will see big booty b*iches like always, lyrics will be the same shit with a bit of shades throwing to those he has beef with and The end. That's Koffi of today music..nothing to look forward to or get excited

Matebu #8 on: February 14, 2017, 03:09

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^ He set the bar way too high for himself with the release of Effrakata; his zenith

Jdog #9 on: February 14, 2017, 03:31

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;D


These days I have zero expectations for albums. Waiting for the 2 or 3 albums per year that pleasantly surprises me.
What is that?? Koffi needs to stop music just because of stupid poster.
Or moto asala le monde eza yo Nzambe tata, Kita okata po mokili trop matata, kata- Fally Ipupa

SYMPLICITY #10 on: February 14, 2017, 06:43

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From the preview I will not wait. When will Koffi go back to producing nice rhumba songs like Washington, Mokuwa, Petit na London, Airways or generiques like Effrakata or Heros National or sebenes the likes of Rouge a Levre or Ravisse or Lilas? Why the monotonous decalle or the rhumbas with poor melodies?

Matebu #11 on: February 14, 2017, 07:18

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From the preview I will not wait. When will Koffi go back to producing nice rhumba songs like Washington, Mokuwa, Petit na London, Airways or generiques like Effrakata or Heros National or sebenes the likes of Rouge a Levre or Ravisse or Lilas? Why the monotonous decalle or the rhumbas with poor melodies?

Previous QL members aside, the one thing in common with nearly all the songs you listed is that they were recorded in top French studios with arrangements and programming done almost exclusively by Philippe Guez and other some notables likes Manu Lima and Hilaire Kashal. Not saying he needs them, but it's an interesting obersevation

Starting with the absolute rubbish that was Skol mandramanda, his music has been recorded at N'Diaye or his home studio, which in comparsion is way behind in techonology. This is why all the rhumbas sound the same and the chorus' very distant sounding.
« Last Edit: February 14, 2017, 07:27 by Matebu »

mokosarkani #12 on: February 14, 2017, 08:12

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From the preview I will not wait. When will Koffi go back to producing nice rhumba songs like Washington, Mokuwa, Petit na London, Airways or generiques like Effrakata or Heros National or sebenes the likes of Rouge a Levre or Ravisse or Lilas? Why the monotonous decalle or the rhumbas with poor melodies?

Previous QL members aside, the one thing in common with nearly all the songs you listed is that they were recorded in top French studios with arrangements and programming done almost exclusively by Philippe Guez and other some notables likes Manu Lima and Hilaire Kashal. Not saying he needs them, but it's an interesting obersevation .
Rien de nouveau...same monotonous rhythms like Marchouse described, clip wise we will see big booty b*iches like always, lyrics will be the same shit with a bit of shades throwing to those he has beef with and The end. That's Koffi of today music..nothing to look forward to or get excited

Starting with the absolute rubbish that was Skol mandramanda, his music has been recorded at N'Diaye or his home studio, which in comparsion is way behind in techonology. This is why all the rhumbas sound the same and the chorus' very distant sounding.

you guys absolutely nailed it

Congomusiclover001 #13 on: February 17, 2017, 19:02

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I think Koffi is suffering from what Maison Mere is suffering from. Good singers and good musicians are gone from an amazing line up which we're all wishing from. These bands now have a bunch of people who are trying fill the void. Problem is the hole is too big to fill. I think we're better off listening music made in the early 2000s to mid-2000s. Koffi is trying to stay relevant with this new kind of music which is really not what they (Congolese musicians) are known for.