Author Topic: Archive; JB Mpiana & Wenge BCBG - TH Credits (2000)  (Read 10117 times)

Drumstar98 on: November 13, 2018, 21:50

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Matebu #1 on: November 13, 2018, 22:07

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Man, JB used all the top Paris studios of the time for TH - I wonder how much the studio time cost

Always interesting how almost all the albums of that era had the technical backing of Ambroise Mvoundi and Philippe Guez (also for other albums Manu Lima, Maestro Souzy Kasseya,Djujuchet, Rgigo Star, Sec Bidens, & Maika Munan). Those guys were masters of great acoustic quality

archos #2 on: November 13, 2018, 22:36

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 the studios of th cost something about 60000 which at the time was quite a big standard  set along with kibuisa and effrakata

mvulusi96 #3 on: November 13, 2018, 22:43

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Hahahaha just because Burkina Faso left they only wrote his last name (his real name is Vincent Kasongo).


TH is an excellent album, but I don't like the drumsound of the generique and Mohammed Kaniasy

Wenge1995 #4 on: November 14, 2018, 00:58

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@Matebu

The acoustics of the drums on Mohammed Kaniasy were great, why didn't you like it?

EMOVICTEAM #5 on: November 14, 2018, 07:46

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This was the time I used to polish JB Mpiana's shoes and water his gardens at his home. TH was literally in my blood and I used to hold all of his CDs, DVDs in my arm pits all day long. Now all that has fizzled out in thin air. How things change.

Cavalier Solitaire #6 on: November 14, 2018, 08:29

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This was the time I used to polish JB Mpiana's shoes and water his gardens at his home. TH was literally in my blood and I used to hold all of his CDs, DVDs in my arm pits all day long. Now all that has fizzled out in thin air. How things change.

 Like this.  ;D ;D


archos #7 on: November 14, 2018, 12:20

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by the ways we are three weeks away from the end of that foolish contract

Cavalier Solitaire #8 on: November 14, 2018, 12:32

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by the ways we are three weeks away from the end of that foolish contract
Let it end, BCBG is suffering the fact that they have no new music on the market.

shamala #9 on: November 14, 2018, 14:57

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by the ways we are three weeks away from the end of that foolish contract
Let it end, BCBG is suffering the fact that they have no new music on the market.

Has Tolbert Solo been working on something with JB?
PORTE-PAROLE NON OFFICIEL DE JB MPIANA ET WENGE BCBG.

archos #10 on: November 14, 2018, 15:04

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yes,he's now part of the artistic direction along with kibens and jeremie so he does a lot of private work with jb
since chemin de fer is on eternal update until the day it might be out

shamala #11 on: November 14, 2018, 15:47

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yes,he's now part of the artistic direction along with kibens and jeremie so he does a lot of private work with jb
since chemin de fer is on eternal update until the day it might be out

Noted. He also plays keyboard if am not wrong.
PORTE-PAROLE NON OFFICIEL DE JB MPIANA ET WENGE BCBG.

mvulusi96 #12 on: November 14, 2018, 17:23

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@Matebu

The acoustics of the drums on Mohammed Kaniasy were great, why didn't you like it?

Because it sounds so bad. It sound like those of Studio Meko in Kinshasa in the 90s. I guess that wanted to correct that in Internet with an excellent drumsound.

EMOVICTEAM #13 on: November 15, 2018, 08:38

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yes,he's now part of the artistic direction along with kibens and jeremie so he does a lot of private work with jb
since chemin de fer is on eternal update until the day it might be out

JB Mpiana does not realise that Kibense from day one has killed his music in studio. Kibense is useless. And JB must have too much money. I wonder why no one poaches Fusee and Tolbert as these two are the only reliable artists in JB at the moment.

Matebu #14 on: November 15, 2018, 13:22

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yes,he's now part of the artistic direction along with kibens and jeremie so he does a lot of private work with jb
since chemin de fer is on eternal update until the day it might be out

I wonder why no one poaches Fusee and Tolbert as these two are the only reliable artists in JB at the moment.

They get paid well to play occasionally, whereas in some other brands they'd be paid poorly to play at concerts a lot