@mvulusi96Tabu Ley and Kester were worst than Werrason? Is that even possible? Outside of being greedy, he assaulted Mboka Liya during rehearsal, he used to humiliate Roi David regularly, and Werrason refused to discipline Kakol even though Papy Kakol was clearly in the wrong for attacking Brigade.In your opinion, do you think it was better for the original Les Marquis to remain together or was it better for that to be a one off project with Ferre, Bill, & JDT?If you don't believe it, than its your problem..... Werrason is living the wrong era. Makolin used to be years long furious about King Kester Emeneya. In the 70s and 80s they would have seen it as normal and/or not a big problem. The most greedy musician ever in the history of Congolese music is Tabu Ley. That's why people close to him gave him the nickname "Vieux Kasongo". There isn't a Congolese band like Afrisa/Africa Fiesta National who had so many splits (every two year) and people staying behind in African and European tours. The leaders of the 2nd generation were most evil (Franco, Madilu, Lutumba,..). Papy Kakol attacking Brigade ? About assaulting musicians, Koffi Olomide is the king about that hahah ask about to people who were in his staff. Lola Muana, Gipson Butukondolo,... the list is long. He pushed Lola from stage during their concert at LSC back in 2002. Koffi was lucky that people hadn't smartphone in that era. Papa Wemba used also to be terrible back in 80's. All those bandleaders are the same, nobody is an angel. I don't know what would be better. It was clear from the start that they would split in 1 year or 6 months. We are now in 2019 and they have all three a good life and music career. Nobody is broke or something like that and people can still remember them
The sins done by Werra in his career though!! WMM is a jungle and Werra got it right, he has been the leader of that jungle.A jungle where others feed on others. I could see how the members behaved when they performed in Nairobi. They showed lack of civility, you could only see people eager to pay themselves on stage.