like he had repeated in several interviews he joined with jb's full support to replace manda and went on tour not too long after with wenge in africa and europe
and he says when problems started in wenge he was the first of the minor members of the group who openly supported jb and was even defending jb when for example adolphe being influenced by masela and nsone was attacking jb a lot(the way jb also let blaise do the dirty work) so it was clear for him that should the group split he'd follow jb
and about the famous kenya tour he confirms it was an alain makaba tour for pile ou face not a conventional wenge 4X4 tour so it made no sense that some of the admins were upset that he paid musicians himself instead of werra
he says that when bcbg started he was obviously gone up in hierarchy proof is how he is on the front cover of titanic along with mpela and the three admins but there was already a bit of payment issues since the group first tour and even the zenith tour to some extent were mainly promotional while musicians expect more cash along with their cars and it was reported  to jb that aimelia is influencing musicians to be upset already while it was according to aimelia afande who was complaining
then later on when he slapped nono ba diamant who was then almost jb's second wife and suspicion over him trying to date her  it made things worse and like we know they did TH without telling him when they go to record and he left because he wanted to anticipate things getting worse
 then while about to shoot clips of his album who was according to him even if he does not mention them,boycotted by jb and werra behind the scenes,he received a call from didi kinuani to join maison mere and joined and was paid by didi for 6 months,and when he arrived werra was overjoyed and said "its over for jb now i have got aimelia" but the guys in the group did not like him at all
he already had a bit of beef with ferre since 4X4 and at that time the guys who were not at their absolute peak yet did not have any ego issue and were uniteing to counter whoever tries to join the group outside their group which had gelled together and created a tight unit
and later in temoignage he went through the same thing than in TH ,he started being left behind in europe tours,and being tricked about studio sessions as werra started wanting rid of him and nolly asked if werra was not reacting to all those things he started to go through suddenly and he says why would werra react when he clearly was behind it to force him out,and he went  to werra to tell him he knows what is going on very well  and he leaves
and he says it is a bit sad that jb and werra seem to hold big grudge towards him until today since jb never mentions him and werra refuses to respond when asked about him but they should be a  bit grateful because although they contributed a lot in building who him and other minor members of the group became today they also contributed with their talent and efforts and unfortunately instead of giving them props jb and werra prefer praising guys who watched them on tv and hoped they'd become one day at least like aimelia or alain mpela,but its not the end of the world
 he says his album is out on independence day 30 of june,he has two generiques one played by thierry mogratana the other by kimbangu and he plans to bring his "group" of cambodge,kimbangu and co to kin and africa like wenge el paris used to do

I'm a little bit tired of Aimelia. Isn't it his 6 or 5th interview about the story of Clan Wenge in 1 year.

The only thing which was new in this interview was when he releaved about those payment-issue after the recording of Titanic. Thinking then that they would receive some money. But it didn't happen and Alain Mpela saying  "c'est du désarroi" adding that he was dissapointed because nothing changed. Instead of attacking Alain Mpela for his word they started to attack Aimelia, while he didn't even say nothing. And not citing Aimelia's name in those ads on the radio for the concerts of Wenge BCBG's at Palais du Peuple both on inside and esplanade.

I wonder who gossiped about Amelia to JB Mpiana.

I'm a little bit tired of Aimelia. Isn't it his 6 or 5th interview about the story of Clan Wenge in 1 year.

The only thing which was new in this interview was when he releaved about those payment-issue after the recording of Titanic. Thinking then that they would receive some money. But it didn't happen and Alain Mpela saying  "c'est du désarroi" adding that he was dissapointed because nothing changed. Instead of attacking Alain Mpela for his word they started to attack Aimelia, while he didn't even say nothing. And not citing Aimelia's name in those ads on the radio for the concerts of Wenge BCBG's at Palais du Peuple both on inside and esplanade.

I wonder who gossiped about Amelia to JB Mpiana.

Yeah I agree Aimelia’s interviews have just been the same recently.

So pretty much bcbg were just being hypocrites for the way they were attacking Werra about the pay whilst they were doing the same thing.

I think the people that gossiped on Aimelia were Seguin and Kibens (especially the way the guy was seriously sucking up to jb through praise at concerts)

It can't be Kibens because he wasn't present in that europe-tour when they went to record Titanic. Maybe that it was Alain Mpela himself, it could be that someone sniched it to JB (Kaludji or Seguin), JB asking Alain Mpela about that and Mpela denying it, saying that it was Aimelia, just to avoid to get problems with JB.

mr simon tricked jb blaise and makaba on titanic royalties,and later on jb put mad pressure on him so that he gives at least something to musicians which is why simon went to kin before zenith to give the guys something to encourage them( no where near what he earned,jb also did not benefit that much most of the money he made was mabanga and song customers of his future album TH which he planned even before the split he had agreed to do 5 albums with simon
those who snitched to jb are not musicians its people from the staff who were defending a friend of them whose girlfriend aimelia had as sidekick who was stealing in shops and co for him and so on so they acted like they are close to musicians to hear what they say and they snitched to jb knowing he would not believe afande would talk bad on him

I’ve nothing against people coming from Cameroon. But it seems that alot who work in the Music-industry or who concert-promoters aren’t serious. I watched recently an interview of comedian Alobe Kimbanseke and he said that they had manager coming from Cameroon who came with a contract for some events in Eastern Congo, but he ended up by running away with the money.

What kept JB Mpiana still working with Simon Ndjonang? Because if it was Koffi Olomide, King Kester Emeneya or Papa Wemba, they would have left him a long time ago. Faux producteur moko boye. He was’t able to lobby for JB or to get trophees for him on events like Africar Awards, Kora Awards, RFI, etc. while he promised to make of JB Mpiana an international star.

jb was naive with simon,he saw him like some sort of father figure,which is why they have fallen out multiple times but whenever simon comes in jb tends to accept,for example in the days of soyons serieux simon could hade a comeback but at last minute he had problems so it went to monsoh and this time again he had several producers coming to him but it seems he has accepted simon again
you know simon and late jps really know how to seduce an artist and jb being the "overly sentimental" man he is would always prefer simon who he has good memories with than somebody who he is not even certain they will last two months,like he says himself
i think the admiration jb got for him really reached another level with the way he replaced quickly jb's mercedes and jaguar who were burned by supposedly fans of rival,and jb who loves loyalty saw in that a sign of somebody reliable
forgetting that he has been receiving peanuts for all his albums having signed to let the man have something like 88 per cent of the rights or even more

Wow... Simon has really messed up jb’s career and image especially with the way he didn’t promote him properly and not releasing the clips for Feux De l’amour, and the clips of internet on time. Jb could’ve won kora’s and so on early but he had nothing to show for it especially in 2001/2002 when all he had was the Jeannette clip it was already a lost cause for him.

I’ve nothing against people coming from Cameroon. But it seems that alot who work in the Music-industry or who concert-promoters aren’t serious. I watched recently an interview of comedian Alobe Kimbanseke and he said that they had manager coming from Cameroon who came with a contract for some events in Eastern Congo, but he ended up by running away with the money.

What kept JB Mpiana still working with Simon Ndjonang? Because if it was Koffi Olomide, King Kester Emeneya or Papa Wemba, they would have left him a long time ago. Faux producteur moko boye. He was’t able to lobby for JB or to get trophees for him on events like Africar Awards, Kora Awards, RFI, etc. while he promised to make of JB Mpiana an international star.

A lot of Camerooninan are known to be thieves, in Italy I had a family friend who gone back to Cameroon becuase he was risking max, max jail time. Anyway with this said it is not the manager who runs with the money is the artist trusting too much of someone.
You as an artist should have a financial advisor and take you the money in the first place, and then give something to the manager if you have one.