" Then from the early 90s it was called Soukous, but the Kinshasa-based artists refused to be refered like that, seeing Soukous-artists based in Paris (Kanda Bongo Man, Diblo Dibala, Aurlus Mabele, Dr Sakis, etc.) artists who were killing the genre and giving people abroad a fake image about our music."
Why this is odd is because Sakis and Dany Engobo are the ones who can still produce albums like in good old days. Like the album: Baobab from Dany from 2015. It is the personal favourite of mine from recent years.
