Author Topic: I still don't understand why no one tried to perform at Palais des Sports  (Read 1680 times)

Mfumu Vata on: August 18, 2021, 00:40

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I still don't understand why no Congoelse artist tried to perform at Palais des Sports after Werrason. Except, Photo Joel Mbetenge trying to plan a JB-Vs-Werra concert there to mess the cancelled double-zenith event of Papa Wemba & Koffi Olomide up, there is no Congolese or foreign concert promoter that tried to bring a Congolese artist there. Only bringing them to Cabaret Sauvage, Theatre du Gymnase Marie Bell, Elysee Montmarte, Bataclan, Dock Eiffel and LSC

CM PRINCE #1 on: August 18, 2021, 09:40

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I was about to make a post about this but you beat me to it hahaha. I wonder that too, Koffi could’ve even played there in 2001 or 2006, or Jb in 2002. Maybe it was too expensive

Mfumu Vata #2 on: August 18, 2021, 17:40

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I don’t believe that it was expensive because the hall is smaller than Zénith & Bercy. Bercy is the hall that is very expansive to rent. Nobody ever tried to get an artist again at Bercy. JB Mpiana had to 3/4 different people that helped to rent the hall, JDK Decor used ngulu’s to cover the money he lost to finance Wemba’s Bercy. Koffi was interested in a second Bercy after BEK, but no concertpromoter with a contract.

CM PRINCE #3 on: August 18, 2021, 18:50

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I don’t believe that it was expensive because the hall is smaller than Zénith & Bercy. Bercy is the hall that is very expansive to rent. Nobody ever tried to get an artist again at Bercy. JB Mpiana had to 3/4 different people that helped to rent the hall, JDK Decor used ngulu’s to cover the money he lost to finance Wemba’s Bercy. Koffi was interested in a second Bercy after BEK, but no concertpromoter with a contract.
Ahh so that’s why no one performed at Bercy twice, it makes sense.

Mfumu Vata #4 on: August 18, 2021, 20:06

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Yeah, it also  coincided with the fall of Congolese music in the diaspora from 2002/03. Artists not being able to fill Zenith's and sometimes even halls like LSC & La Madeleine, the ngulu-affaire messing everything up, bands having difficulties for getting visa's, tour-promoters only wanting a list of max. 15 people, long tours not having huge impacts anymore, artists just spending 2 months in Europe and returning back, etc.

If you look well the three Bercy's of Werrason, JB Mpiana and Papa Wemba were all done in a rush. Koffi Olomide and his management really took the time to organise the event well, looking for donors, the stage, guests. Just look the difference of the stage Koffi had and that of JB, Wemba and Werra. They all performed there just because Koffi did and the pressure from their fans and staff. There wasn't any demand from big concert-promoters to let them perform at Bercy. Werrason had the chance to perform at Bercy, because of concert-promoter Yann who normally wanted to have him at Forest National in Brussels, but Werra's staff insisting on letting him perform at Bercy, which he did. JB Mpiana also did it with the pressure from his staff and fans after being mocked by the WMM-camp of having skipping Bercy (ba sauter Bercy). The same for Papa Wemba.

Also those 4 Bercy's weren't well promoted how it has normally to be. Despite having huge mpiaka's, the stars Youssou N'dour and Alpha Blondy benefited from good promotion of the French press, television and newpapers. While JB Mpiana and Werrason had zero promotion, just the fanclubs and the staff doing everything to mobilize the whole Congolese diaspora in Europe. Koffi Olomide only appeared after the show on the French television (TF1, France2, etc.) because he was the first African artist to perform there. But before the show no one French television-channel promoted his event. Papa Wemba appeared after the show on tv because he already had a big notoriety in France, due to his worldmusic-career. But like Koffi no French television promoted his event.