I remember a historian about Congolese music (I only remember his second name diop) having an interview with Franck Stemay and I think Thierry Diawa 5 years ago, saying that Abeti Masinki dreamed about getting a gold record in France (the certifications in Africa, Togo, Zaire, etc. having zero value in her eyes) but it being almost impossible to get. So her husband/manager Gerard Akueson making an arrangement with SACEM and a factory in Germany for African artists to get gold records in France. From then Francophone-African artists having to sell 100.000 records around the world instead of only in France, but the gold record not being certificated by SNEP. Abeti Masinki then being the first to get a gold record and from the 90s Congolese artists like Koffi Olomide, JB Mpiana and co following. Zaiko Langa Langa missed their gold record with Nippon Banzai, because of selling it with multiple distributors, not being able to have a good sight on the total sale while Nippon Banzai being one of the 5 most sold albums in Congolese music. The same for King Kester Emeneya with Nzinzi.