Author Topic: ATALAKU GOLBERT (WMM) COMEBACK CRIS  (Read 1304 times)

shamala on: June 02, 2024, 16:22

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He must be trying to reclaim his position
PORTE-PAROLE NON OFFICIEL DE JB MPIANA ET WENGE BCBG.

O-Afrika #1 on: June 02, 2024, 19:16

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I don't find his cries catchy.

SYMPLICITY #2 on: June 03, 2024, 04:58

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He must be trying to reclaim his position


Who is on solo? One of last week’s repetitions had someone new and better. I am not able to see clearly due to video quality. He seems to play more expertly than Ya Mukolo usually does. Ya Mukolo’s playing has been disjointed and if this is him then competition has made him improve in one week😂😂😂😂😂😂

Jeffrey Sirjeza Sibanda #3 on: June 03, 2024, 21:38

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He must be trying to reclaim his position

This Wasabo guy will kill Jamaique one day😂😂😂😂😂😂😂 he is really good………….. Jamaique has entered a phase of recycling people’s cries, that one is clearly Mai Mai eye heard from Bill and Brigade.

Franco Pepe Kalle #4 on: June 04, 2024, 02:23

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The problem is that Werrason does not have great animators to speak of. Perhaps that is why Golbert is having a chance.

Nkosi #5 on: June 04, 2024, 08:17

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The name of the new soloist is Tshitsho Tshimanga. He is the fan's favourite as he is more versatile, stable and plays the Kapaya style.

archos #6 on: June 04, 2024, 13:27

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i'll repeat myself but golbert and jamaique has been the most underwhelming starting pair of maison mere's history which is frustrating because they had potential,i dont know if it because they came in the period nsone almost took one foot off music and also naturally with age is far less demanding,but they have not evolved one bit,which is the trademark of werra's style look at how brigade and lobeso completely changed in one year as the starting pair wasabo was a breath of fresh air,by the way where is that croix rouge guy who animated with them on last album,never heard a mention of him for years

SYMPLICITY #7 on: June 05, 2024, 07:05

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The name of the new soloist is Tshitsho Tshimanga. He is the fan's favourite as he is more versatile, stable and plays the Kapaya style.

He should take over permanently!!!! Even in this concert, the earlier parts where he plays sebene is the usual hard hitting WMMM type(is that what is known as Kapaya style? Aggressive and very danceable). Ya Mukolo comes later and the sebene is lazy, has no life and is very disjointed!!!!
« Last Edit: June 05, 2024, 07:07 by SYMPLICITY »

Manzambi94 #8 on: June 05, 2024, 09:41

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Guys can you guys link me a solo by Ya Mukolo, Tshitsho and Mayi Ya Ndombe separetly? So I can judge them?

Anyway I think that playing the Kapaya Style as Nkosi said, it is the way to keep old fans  Maison Mere like me, but not a very good way to attracr new listener and fans, Lobeso actually was a good thing cause he tried to do something new,





nd if you think about it the Ferre,




Roga Roga,






Arafa Tshena






Fally



Boniomai sttyle for RDC

 and Mopacho style for Brazza of music

was actually something that Lobeso used to often,





of course he didn't invent  it it was Mabele Elisi who did





 and Lobeso being from the same origin and listening to him a lot made it a part of his singing style, I think that the problem of Lobeso was being monotonous and not doing anything else in dact the few times he changed (Musselu)


9:57

From 1:30





 he got crazy good results. Plus another thing I think that Lobeso didn't market himself enough outside of Wenge circle he used to do very little interviews and only did them when he was "humiliated" by Bercy even though I have never seen it as an humiliating but just people hyping another one more then the other, cause tbh Bercy there haven't done anything special.
With that said I think that yes this Kapaya style is fine for me I really miss it, but if Wenge wants to expand they must find something different to attractive new viewers and no Afrobeat or Amapiano soinding songs aren't the answer

Talking about the Kapaya Style man, Retour Interdit was a master of Sebene, sad that Mayi Ya Sika's generique was mixed so poorly



4:32 and 7:11 that drumming work is crazy