https://www.facebook.com/watch?v=1288548665610070

so obama now gets into first team and takes the spot of smok who left in europe

Arrival

Will they not record the group-album in Europe ? and did they the musicians got paid for their concerts of Paris and Brussels ? Also does matolo still work for bandmembers like the 00s and the early 10s ?

I thought that with the return of music, we would see long tours like the early 2000s, when you bands that were going to countries like Finland, Austria, Spain and Ireland. Especially that life in Kinshasa today getting harder and find an easy way to get money. But it seems that the time of tours around multiple European countries after big events in Paris is really over. Events in Europe now being limited to Paris and Brussels like the 1970s

they started it in europe i think they will return soon because there is concerts in spain for example

Will they not record the group-album in Europe ? and did they the musicians got paid for their concerts of Paris and Brussels ? Also does matolo still work for bandmembers like the 00s and the early 10s ?

I thought that with the return of music, we would see long tours like the early 2000s, when you bands that were going to countries like Finland, Austria, Spain and Ireland. Especially that life in Kinshasa today getting harder and find an easy way to get money. But it seems that the time of tours around multiple European countries after big events in Paris is really over. Events in Europe now being limited to Paris and Brussels like the 1970s

You have to realize that two things started happening, racism on the rise, even in France which was unthinkable some years ago, now some people are saying black people need to leave etc, and after that the White/Non Congolese and also the Black African/Non Congolese audience (add to that African Americans even tho they hardly was listening to Ndombolo) have started to shift to Afrobeats, if there is  an African artist doing a sold out in Europe outside of France and Belgium is probably gonna be a Nigerian artist.
With that said the new Congolese generation really seem not to care about Congolese Ndombolo music but they are super super super into gospel half of the young generation barely knows or doesn't know But Na Fillet at all but all of them will know someone like NK Divine or Studio Mezzo. Other then these reasons I think that the work done by Ado Yuje exposing the corruption, the satanismo and the sexual abuse that goes on in a lot of Comgolese industrie really put a burial on any chance of a Congolese artist (outside Fally, Fally is alwyas liked by everybody) to make a successful continuo tour in Europe. If Fabregas and Heritier which after Ferre and Fally are the last guys of that Congolese Ndombolo generation then no one will.