the old soneca from franco bombenga and co days still exists,then you have socoda split in two the side of nioka longo and the side of blaise bula and co who despite an attempt of peace ya jossart still wanted to exceed his capacity of control
thankfully for the artists who are in the game now most are affiliated abroad,somebody like fabro made 80 k of rights abroad in the first six months of the year it would take him  decades to earn that in congolese copyright companies

Why is Adricha Tipo-Tipo always on the forefront when coming to copyrights, while he doesn't even has 5 songs that people know ?

kiekiekie i was thinking the same thing,he just loves taking the spotlight like he is such a big leader who is losing on big rights