Author Topic: A RARE INTERVIEW BY GUITARIST KOJACK  (Read 305 times)

archos on: July 10, 2026, 13:27

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so it was him that my brother was talking about that bcbg recruited a guitar who was playing left and right hand and all that ,but then pathy moleso's arrival changed everything for him
i also liked that anecdote about ferre having a minor voice loss because of fatigue but he was so hurt about it because he does not play about his singing performances
« Last Edit: July 10, 2026, 13:30 by archos »

Mfumu Vata #1 on: July 15, 2026, 02:01

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I believe that Flamme called Kojack, because here I talks a positively about him. While a few months ago, Kojack made a video where he was really mad against Flamme Kapaya, saying that he copied his style of tapping.

https://www.tiktok.com/@htag_tv/video/7584580289452608790?embed_source=121374463%2C121468991%2C121439635%2C121749182%2C121433650%2C121404358%2C121497414%2C122349556%2C122221973%2C122122240%2C121351166%2C121811500%2C121960941%2C122122244%2C122122243%2C122122242%2C121487028%2C122258714%2C121331973%2C120811592%2C120810756%2C121885509%3Bnull%3Bembed_blank&refer=embed&referer_url=congovibes.com%2Findex.php%3Ftopic%3D26839.0&referer_video_id=7584580289452608790

What made Werrason prefer Coréen Polystar above Kojack ? Was it for the way he already travelled twice to Europe with Bozi ? Because in different videos that are on youtube and who are removed of Maison Mère concerts of 2003, you will often see Kojack playing rhythm on his own or with guys like Mayi Ndombe. But from the UK-trip its Coréen Polystar permanently sementing that role  and Thierry Mogratana locking in for the mi-solo role that dissapeared in Maison Mère for a moment. t's crazy that he didn't even let Kojack participate on Alerte Generale, while other bands often let more guitarists play in albums when projects are recorded in Kinshasa. In Danger de Mort you have for example Mbetenge Domingo and Poupa Mystique, who didn't tour with Quartier Latin in Europe

Kojack's case shows that talent isn't everything to make it on the Congolese music-scene. Hearing Patou Solo's name being cited when he talked about his time trying to join Wenge BCBG in 2001 through Titina, made me once again think about the huge amount of musicians that were rotting in reserves of bands like Wenge BCBG, Wenge Maison Mère, Quartier Latin and Nouvelle Ecriture